Intervention

Leona Lewis · Other Songs - Leona Lewis

I Know There Are Times When You Need Your Space

But I Haven't Seen You In Several Days

Don't Wanna Be The One To Push You Away

But I Need Some Time with You To Say



What About What I Feel

What I Want

What I Need To Be Okay

I ALways Put You First

Now It's Gotten Worse

I Don't Know If I Stand A Chance

So I Demand



If I Don't Have Your Full Attention

Time For An Intervention

Gunna Have To Make A Change

In What Im Gettin

You Don't Have The Time To Listen

Time For An Intervention

No Need To Wait

You'll Come Home One Day

And I'll Be Missin'

(Time For An Intervention x2)



I Hope That I Can Be Worth The Stay, Hey

And I Hate To See You Throw It All Away

But I'm Not Gettin Anough This Way

I Know You Have Things You Wanna Say



But This Is 'Bout How I Feel

What I Want

What I Need To Be Okay

I Always Put You First

Now Its Gotten Worse

I Don't Know If I Stand A Chance

So I Demand



If I Don't Have Your Full Attention

Time For An Intervention

Gunna Have To Make A Change

In What Im Gettin

You Don't Have The Time To Listen

Time For An Intervention

No Need To Wait

You'll Come Home One Day

And I'll Be Missin'

(Time For An Intervention x2)



Don't Wanna Try To Make This Work

If I'm Not Concerned With How This Hurts

Don't Want This Ultimatum To Make Us Loose The Trust

Because We Get Through So Much



And If I Don't Have Your Full Attention

Time For An Intervention

No Need To Wait

you'll come Home One Day

And I'll Be missin'

So If I Don't Have Your Full Attention

Time For An Intervention

Gunna Have To Make A Change

In What I'm Getting

You Don't Have The Time To Listen

Time For An Intervention

No Need To Wait

You'll Come Home One Day

And I'll Be Missin'

(Time For An Intervention x2)

Intervention - Leona Lewis

Released in 2006, 'Intervention' stands as a defining track in Leona Lewis's early career, showcasing her powerful vocal range and emotive delivery. The song, written by the renowned songwriting team of Leona Lewis and Mark Taylor, explores themes of emotional vulnerability and the desire to protect loved ones from pain. Its acoustic-driven arrangement highlights Lewis's ability to blend pop sensibilities with soulful depth, establishing her reputation as a serious musical artist rather than merely a pop sensation. The track became a staple of her discography, receiving widespread radio play and critical acclaim for its genuine emotional resonance. It remains a significant example of mid-2000s British pop music, reflecting the era's focus on personal storytelling and melodic sophistication.