Leave My Girl Alone
Travis Tritt · T-R-O-U-B-L-E [Warner Bros] [1992]
--- Instrumental ---
You better leave
You better leave my little girl alone.
You better leave
You better leave my little girl alone.
Before I go and get evil minded
And I go and do somethin' wrong.
You called up my house just yesterday
And I picked up the extension
And I heard every word you say.
Why don't you just go on man
Go on and leave my little girl alone.
Yeah, before I get evil minded
And I go and do somethin' wrong.
--- Instrumental ---
Yeah, you call up my house
All hours of the night.
Let me tell you mister
That's a damn good way to start a fight.
Yeah, why don't you just go on
Man, and leave my little girl alone.
Before I get evil minded
Lord, and go and do somethin' wrong.
--- Instrumental ---
Yeah, you better leave baby
You better leave my little baby alone.
I'm gonna tell you what hoss
You better leave
You better leave my little girl alone.
Before I get evil minded
And I go and do somethin' wrong...
You better leave
You better leave my little girl alone.
You better leave
You better leave my little girl alone.
Before I go and get evil minded
And I go and do somethin' wrong.
You called up my house just yesterday
And I picked up the extension
And I heard every word you say.
Why don't you just go on man
Go on and leave my little girl alone.
Yeah, before I get evil minded
And I go and do somethin' wrong.
--- Instrumental ---
Yeah, you call up my house
All hours of the night.
Let me tell you mister
That's a damn good way to start a fight.
Yeah, why don't you just go on
Man, and leave my little girl alone.
Before I get evil minded
Lord, and go and do somethin' wrong.
--- Instrumental ---
Yeah, you better leave baby
You better leave my little baby alone.
I'm gonna tell you what hoss
You better leave
You better leave my little girl alone.
Before I get evil minded
And I go and do somethin' wrong...
Leave My Girl Alone
Travis Tritt's 1992 single "Leave My Girl Alone" serves as a defining track from his debut album, T-R-O-U-B-L-E. Rooted in the country-pop genre, the recording showcases Tritt's signature vocal style and songwriting approach that would characterize his early career. The song reflects the themes of heartbreak and resilience often explored in his discography during the early 1990s. Released under Warner Bros., it stands as a notable example of the commercial country sound that helped establish Tritt's reputation as a leading artist of his generation. The track remains a staple in his catalog, representing the era when he began crafting anthems that resonated with a broad audience.