Turn My Swag On

Keri Hilson · Other Songs - Keri Hilson

[Chorus:]

Hopped up out the bed

Turned my swag on

Took A look in the mirror

Said wassup (yeaaah)

I'm gettin' money (oh) [x2]



[Verse:]

(Keri)

They told me round the hood

(What they say?)

Everytime they see me I look good (yeah)

(Why?)

I get money (yeah)



If you be hatin just be mad at yourself

I bet you think this song is about, don't you (yeah)

But I did it without you (yeah)



Said this is for them chicks who be handlin they business

Got M ups to them hatas cause we to busy winnin

You can't tell us nothin

You can't tell me nothin

If you ain't gettin money

Then you ain't got nothin for me



Cause I be gettin paper like you wouldn't believe

And I be gettin hatas like you wouldn't believe

So wassup (yeah)

Boy stop (yeah)



Swag ain't something you can wear on your neck

You can buy you a chain but you can't buy respect

I'm a walk it

Like I talk it

So you never forget



And if you get your swag on

Let me hear you say

Yeah Yeah Yeah

If you wake up in the mornin

And you turn your swag on

Let me hear you say

Yeah Yeah Yeah

Let Me hear you say

Yeah Yeah Yeah



(Turn my swag on) [repeated til end of chorus]



[Chorus:]

Hopped up out the bed

Turned my swag on

Took A look in the mirror

Said wassup (yeaaah)

I'm gettin' money (oh) [x2]

Turn My Swag On

Keri Hilson's 'Turn My Swag On' stands as a defining track of the mid-2000s hip-hop and R&B landscape, characterized by its infectious rhythm and confident delivery. The song exemplifies the era's blend of pop sensibilities with street-style swagger, featuring a beat that became a staple in clubs and radio rotations. Hilson's vocal performance delivers a message of self-assurance and empowerment, resonating deeply with audiences seeking a fusion of danceable energy and lyrical attitude. As part of her broader discography, the recording highlights her ability to craft anthems that bridge the gap between mainstream pop appeal and authentic hip-hop culture, cementing her status as a key figure in contemporary music production during that period.