I Am A Kid

Mary Kate and Ashley Olsen · I Am The Cute One [1998]

I am a kid. Let's get that right

I'm red and yellow. I'm black. I'm white

On a sunny day, on a stormy night

Gonna toot my whistle, gonna shine my light.



I am a kid.

I am a kid.

I am a kid.

I'm a kid. I'm a kid. I'm a k-i-d.

A k-i-d, that's me.



I am a kid. Let's get that straight.

I'm seven. I'm eleven. I'm five. I'm eight.

They say I gotta grow up but I can wait.

I love love. And I hate hate.



I am a kid.

I am a kid.

I am a kid.

I'm a kid. I'm a kid. I'm a k-i-d.

A k-i-d spells me.

I'm a kid. I'm a kid. I'm a k-i-d.

A k-i-d and that spells me.



I am a kid. Just wanna say "Hi"

Life is tough but so am I

Even on that rainy day

I'm gonna be okay.



Chorus:

I am a kid (I'm a k-i-d)

I am a kid (I'm a k-i-d)

I am a kid (I'm a k-i-d)

I'm a k-i-d.



I'm just a kid tryin' to have some fun

Without hurtin' anyone

I'll sing until I'm done.

I am a k-i-d.



Now you might think that I talk too loud.

Or maybe you think my head's in a cloud.

But I'm just a kid, doing my thing.

Singing what only a kid can sing.



Chorus



Come on along and be a kid with me.

Cause every kid has got a right to be

It's time for kids to make some history.

So everybody let you kid be free.

About I Am A Kid

"I Am A Kid" is a standout track from the 1998 album *I Am The Cute One*, released by the Olsen twins Mary Kate and Ashley. As part of their broader discography, this recording captures their unique voice during a pivotal era in their musical career, blending pop sensibilities with the playful, childlike persona they famously cultivated. The song reflects their transition from child performers to young adults, maintaining their signature charm while exploring themes of identity and growing up. It stands alongside other notable works like "Gimme Pizza" and "Identical Twins," contributing to a catalog that showcases their ability to craft catchy, memorable pop anthems. The track remains a significant piece in their recorded history, representing the intersection of their public image and their evolving artistic expression in the late 1990s.