Eric Cartman - Kyle's Mom's A Bitch

South Park (Related Recordings) · South Park: Bigger, Longer And Uncut [1999]

Welllll!!!! Kyle's Mom's a bitch, she's a big fat bitch

She's the biggest bitch in the whole wide world

She's a stupid bitch, if there ever was a bitch

She's a bitch to all the boys and girls.



Kyle: Shut your f**king mouth, Cartman!



On Monday she's a bitch

On Tuesday she's a bitch

On Wednesday through Saturday she's a bitch

Then on Sunday, just to be different

She's a super king kameha-meha biatch!



Come on, you all know the words!



Have you ever met my friend Kyle's mom?

She's the biggest bitch in the whole wide world

She's a mean old bitch and she has stupid hair

She's a bitch, bitch, bitch, bitch, bitch, bitch, bitch



Bitch, bitch, bitch, bitch,

bitch, bitch, bitch, bitch,

She's a stupid bitch, oh!

Kyle's mom's a bitch and she's such a dirty bitch.



Talk to kids around the world, it might go a little bit somethin' like this:



(Translations in Japanese, French, Dutch and African.)



Have you ever met my friend Kyle's mom?

She's the biggest bitch in the whole wide world

She's a mean old bitch and she has stupid hair

She's a bitch, bitch, bitch, bitch, bitch, bitch, bitch



(Kyle's mom comes behind Cartman.)



Bitch, bitch, bitch, bitch,

bitch, bitch, bitch, bitch

She's a stupid bitch!

Kyle's mom's a bitch and she's such a dirty bitch.



I Really mean it, Kyle's mom...

She's a big fat fucking biiitch.



Big old fat fuckin' bitch - Kyle's mom.. yeahhh! Cha!



(Kids stare)



- What?



Cartman: (Turns round) Oh, f**k!!

Eric Cartman - Kyle's Mom's A Bitch

This track from the 1999 album South Park: Bigger, Longer and Uncut features Eric Cartman delivering a scathing vocal performance that defines the show's early musical style. The recording captures the character's distinct voice and aggressive delivery, serving as a key example of how South Park utilized music to enhance its satirical narrative. Released during the height of the series' popularity, the song reflects the show's willingness to push boundaries through both its lyrics and its musical execution. It remains a staple of the series' catalog, illustrating the integration of character-specific vocals with the broader comedic tone of the era.