Kenny Goes To Hell (Hell Isn't Good)
South Park (Related Recordings) · Other Songs - South Park (Related Recordings)
Little boy at peace
What is this place?,
beyond the stars
Open up your eyes
What are these things
your moving toward? (or t'ward)
Head so full of wonder,
worries in the past
Could it be that you are free at last?
NO!
Little boy, you're going to hell!
You said bad words, threw rocks at the birds
And now, this is your hotel!
You ain't going back, this ain't disneyland, it's HELL!
Little boy, it's time for you to pay!
For hurting that bird, and not going to church
And starin' at boobs all day
Thought you were in bed, instead
You're going to HELL!
Oooh Hell isn't good, Hell isn't good, HELL!
Oh, Hell isn't good, Hell isn't good, HELL!
Adolf Hitler: Something in german..
George Burns: Hey fuckface, have you seen Gracie?
Mahatma Ghandi: There is orderliness in the universe
Hell isn't good, Hell isn't good, HELL!
What is this place?,
beyond the stars
Open up your eyes
What are these things
your moving toward? (or t'ward)
Head so full of wonder,
worries in the past
Could it be that you are free at last?
NO!
Little boy, you're going to hell!
You said bad words, threw rocks at the birds
And now, this is your hotel!
You ain't going back, this ain't disneyland, it's HELL!
Little boy, it's time for you to pay!
For hurting that bird, and not going to church
And starin' at boobs all day
Thought you were in bed, instead
You're going to HELL!
Oooh Hell isn't good, Hell isn't good, HELL!
Oh, Hell isn't good, Hell isn't good, HELL!
Adolf Hitler: Something in german..
George Burns: Hey fuckface, have you seen Gracie?
Mahatma Ghandi: There is orderliness in the universe
Hell isn't good, Hell isn't good, HELL!
Kenny Goes To Hell (Hell Isn't Good)
Released as part of the South Park soundtrack, this track exemplifies the show's signature blend of absurdist humor and hip-hop influences. The recording features the voice of Trey Parker as Kenny McCormick, delivering a monologue that satirizes the concept of hell while maintaining the character's typical oblivious demeanor. As a staple of the series' musical identity, the song reflects the late 1990s alternative rock and rap fusion common in the show's original score. It serves as a cultural touchstone for fans of the animated series, capturing the era's specific brand of irreverent comedy and musical experimentation.