His 'n' Hers
Pulp · Other Songs - Pulp
I've got the time / and you've got the space / I'm gonna wipe you down
and lick the smile off your face, the smile off your face
Though we know that it's wrong / towel sets / matching combs
Oh it looks so good but does it turn you on?
Oh... / I want you now / and I want you here / so lie down by the fire
and if the neighbours hear, the neighbours hear
'cos they don't understand / what you've got / in your hand
Oh it looks so good but does it turn you on?
Oh... yeah! / Are we going to do it again?
Sideways? / I was still in the queue when you came
Delivered me from his 'n' hers / you pulled the units down
Delivered me from his 'n' hers / and when I saw his face
oh it made me feel better / Oh now it's gone too far / we gave up hope
and the future's bleak / just a soap on a rope, a soap on a rope
Put the rope around his neck
Pull it tight / he's erect / oh and it looks so good
but does it turn you on?
Oh... yeah! / Are we going to do it again?
Shove it in sideways / I was still in the queue when you came
Delivered me from his 'n' hers / you pulled the units down
Delivered me from his 'n' hers / and when I saw his face
oh it made me feel better
So we laid in bed afterwards and / she asked me
what made me frightened / and I said
"I'm frightened of Belgian chocolates / I'm frightened of pot pourri
I'm frightened of James Dean posters
I'm frightened of twenty-six inch screens / I'm frightened
of remote control
I'm frightened of endowment plans / I'm frightened of figurines
I'm frightened of evenings in the Brincliffe Oaks searching
for a conversation."
"Oh you're stupid," she said / and she took my hand
she took my hand and she said / "I want
I want you / I want you to / I want you to touch
I want you to touch me / I want you to touch me."
Oh... / Are we going to do it again? / Shove it in sideways
I was still in the queue when you came
Delivered me from his 'n' hers / you pulled the units down
Delivered me from his 'n' hers / and when I saw his face
you know it made me feel better.
and lick the smile off your face, the smile off your face
Though we know that it's wrong / towel sets / matching combs
Oh it looks so good but does it turn you on?
Oh... / I want you now / and I want you here / so lie down by the fire
and if the neighbours hear, the neighbours hear
'cos they don't understand / what you've got / in your hand
Oh it looks so good but does it turn you on?
Oh... yeah! / Are we going to do it again?
Sideways? / I was still in the queue when you came
Delivered me from his 'n' hers / you pulled the units down
Delivered me from his 'n' hers / and when I saw his face
oh it made me feel better / Oh now it's gone too far / we gave up hope
and the future's bleak / just a soap on a rope, a soap on a rope
Put the rope around his neck
Pull it tight / he's erect / oh and it looks so good
but does it turn you on?
Oh... yeah! / Are we going to do it again?
Shove it in sideways / I was still in the queue when you came
Delivered me from his 'n' hers / you pulled the units down
Delivered me from his 'n' hers / and when I saw his face
oh it made me feel better
So we laid in bed afterwards and / she asked me
what made me frightened / and I said
"I'm frightened of Belgian chocolates / I'm frightened of pot pourri
I'm frightened of James Dean posters
I'm frightened of twenty-six inch screens / I'm frightened
of remote control
I'm frightened of endowment plans / I'm frightened of figurines
I'm frightened of evenings in the Brincliffe Oaks searching
for a conversation."
"Oh you're stupid," she said / and she took my hand
she took my hand and she said / "I want
I want you / I want you to / I want you to touch
I want you to touch me / I want you to touch me."
Oh... / Are we going to do it again? / Shove it in sideways
I was still in the queue when you came
Delivered me from his 'n' hers / you pulled the units down
Delivered me from his 'n' hers / and when I saw his face
you know it made me feel better.
His 'n' Hers
Released by Pulp in 1995, 'His 'n' Hers' stands as a defining track of the Britpop era, characterized by its driving rhythm and the band's signature blend of rock and electronic textures. The song exemplifies the group's ability to fuse melodic sensibilities with a gritty, urban sound that resonated deeply with audiences during the mid-90s. As a key component of their discography, the recording showcases the collaborative energy of the band, particularly the interplay between vocals and instrumentation that became a hallmark of their work. Its enduring popularity highlights Pulp's significant influence on the genre and their capacity to create music that remains relevant decades after its initial release.