Problems
Ziggy Marley · Other Songs - Ziggy Marley
We people got to solve them
Problems, big problems, small problems
Still we got to solve them
Settle for less is problems
We could do our best and solve them
Stop wishing and waiting
Stop meditating on a fairy tale
Problems, problems, problems
We got to solve them
Ain't got no use for what you refuse yourself
Now why should man abuse, man God like self
All over the world there are problems
Who cause them, sure got the cure
Stop wishing, stop waiting
Stop mistaking problems
Problems
Problems
Settle for less is problems
We got to do our best and solve them
Stop wishing, stop waiting
Stop thinking on a fairy tale
Problems, money problems
Woman problems, political problems
Problems, religious problems
Race problems, life problems
Problems, personal problems, people problems
We people must solve them
Problems, human problems, the family problems
I know we gonna solve them
Problems, colour problems, any problems
Yes, we have to solve them
Ain't got no use for what you refuse yourself
Hey, hey, why should man abuse, man, God like self
Hey, someone got a problem, personal problem
People problem
About Problems
Ziggy Marley's "Problems" stands as a potent testament to his enduring ability to fuse reggae rhythms with socially conscious storytelling. Recorded during a period where Marley continued to refine his musical identity beyond his father Bob Marley's shadow, the track exemplifies the genre's tradition of addressing personal and collective struggles. The song's melodic structure and rhythmic delivery invite listeners into a reflective space, characteristic of Marley's later work which often balanced political urgency with spiritual warmth. As a solo artist, Ziggy Marley maintained a distinct voice that emphasized family legacy while exploring individual expression. "Problems" reflects this duality, tackling themes of conflict and resilience without resorting to didactic preaching. Its enduring appeal lies in its ability to resonate across generations, serving as both a personal anthem and a broader commentary on societal issues. The recording captures the authentic energy of Jamaican music, where the interplay of steel drums and bass lines creates a soundscape that is both grounding and uplifting.