Right And A Wrong Way
Keith Sweat · Best Of Keith Sweat: Make You Sweat [2004]
My, my, my, my, my, my baby
You're mine, mine, mine, mine
I'm gonna love you right, girl
You may be young but you're ready
[Ready to learn]
You're not a little girl, you're a woman
[Take my hand] Let me tell you, baby
I'm yours for the takin'
So you can [Do what you please]
Don't take my love for granted
You're all I [I'll ever need]
Hold me, hold me in your arms
[Oh,baby] Never let me go
[There's a right and a wrong way to love somebody]
A right way to love somebody, to love me right
[There's a good and a bad way to love somebody]
There's a good, oh,whoa,oh,whoa,oh,
You do me good, ooh,.
So don't play no silly games with me, baby
[No, no, no, no, it's just not my fate] No, no, no
All I need is your loving here
[Hold me tight, baby, with the joy you can bring]
Mmm, take me I'm yours [Take me]
I'm willin' [Ooh, baby]
Hold me, hold me in your arms, hey, baby
[I don't want to let you go] Never let go
You, you're all I need in this world
[Oh,baby] Ooh, you got to know, you better know
You better know my, my baby
[There's a right and a wrong way to love somebody]
You know, you know mean the world to me, girl
[There's a good and a bad way to love somebody]
I'm gonna treat you good
Yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah
Yeah, yeah, yeah, yeah, yeah, yeah, baby, ooh, yeah
Ooh,ooh,hoo,ooh,ooh,ooh,ooh,ooh,
I want your lovin', girl, all night long, all night long, all night long, girl
We'll be like two lovers in a tree
Tweddle-lee-deeddle-lee-deedle-lee-dee
Me and you, girl [Whoa, whoa, whoa]
Ooh, you know my love is right, why can't you see
We'll love each other eternally, just you and me, baby
You're a big girl now
No more daddy's little girl
Right And A Wrong Way
Keith Sweat's 'Right And A Wrong Way' stands as a defining track from his 2004 compilation, 'Best Of Keith Sweat: Make You Sweat,' capturing the essence of his signature New Jack Swing and R&B sound. Released during a period where Sweat solidified his status as a premier dancehall and hip-hop fusion artist, the song exemplifies his ability to blend smooth vocal delivery with infectious, rhythmic beats. As part of his extensive discography spanning the late 80s through the 2000s, the recording reflects the evolution of his style, moving from the raw energy of his early work to the polished production of his later years. The track remains a staple in his catalog, showcasing his mastery of creating music that drives movement and emotional connection, characteristic of his work with artists like The Time and his own solo contributions that bridged Caribbean rhythms with American pop sensibilities.
