Dirty Dirty East

Outlandish · Other Songs - Outlandish

Okay this one
Goes out to all the people living a dirty life style
You know what I'm saying

Dirty dirty east
Y'all mean south
Naah east playa

Dirty dirty east
Sure it aint south
Naah east playa
Still got love for the south though
North, west & east coast
Bang y'all heads to this beat fool
Gon' ride in the night while we popping them collars

Rapverse1 (Lenny)

Soy montuno cien por ciento
Una guitarra es lo que tengo
Cada mańana estoy contento
Cada noche le canto al viento
El cantar de los cantores
Hace llorar a los mayores
Yo te regalo mis canciones
Remedio a los dolores
De oriente a occidente
Gente vamos ya
Del sur al norte
Mis guajiros a gozar
A si que oye como va
Mi ritmo
Ponte tu a bailar
Es outland

Translation:

I'm highlander hundred per cent
A guitar is the only thing I have
Every morning I'm so happy
Coz every night I sing to the wind
The song of folksingers
Make the grown cry
I give you my songs
As a remedy to the pain
From Orient to Occident
People come on now
From the south to the north
My guajiros lets get lose
Now listen how it goes
My rhythm
Get up and get your groove on
This is outland

Chorus

Well it's the dirty dirty east y'all
That's my peeps y'all
Watch the beast
If you don't belly that ass he gon' get ya fast

Dirty dirty east
Where's the meat y'all
Watch the grill
We gon' get our eat on

Rapverse2 (Waqas)

Pass that bread I'm starving y'all
Can I borrow your bird and make a call
Dirty east life style baby you know
Im that Beduin thug that's running the show
No cash flow still having blast,
Shaking my ass not forgetting my path
My desert caddie cruising streets
I don't pimp hoes I pimp sheep
Pass that waterpipe
I want my high tonight
Life is hard out of sight
Struggle on make it tight
Hey girlfriend can I have some water
At the well I caught her
9 sons and a daughter we share
Making it clear from the dirty dirty

Bridge

Oye com ova
La raza
Ponte tu a bailar
It's outland

Chorus

Rapverse3 (Isam)

Yeah!
My moms chose my wife
Got it all arranged
I love my mommy cuz she takes care of everything
Without her everyday journey to and from the well
There wouldn't be no water whole village would be looking hell
Enough bragging she got me a pretty girl
You don't need to work
Just help my moms in the kitchen world
And every second year we'll make a baby or baby twins
Don't worry girl ya know my mom's gon' baby-sit
Never depend on me, it depends on my family
That's how we do it's gangsta, how it always be
You don't know me but ey!... we got a whole life's
Under the family tree, eating dates in moonlight
You to me is like what water is to sea ya know
I take it that my moms already told you about the gold
So let me put this henna on ya hand and do the vow
Oh tell ya pops not to worry, I threw in the cow

Break

All my thug moros let me hear you say oye oye
And to the sisters if you with me holla uy uy

Chorus

Dirty Dirty East by Outlandish

Outlandish, the musical project of Nigerian-born singer-songwriter Femi Kuti, emerged in the mid-2000s as a vital bridge between traditional Yoruba musical heritage and contemporary global fusion. The track Dirty Dirty East stands as a defining example of this unique sonic landscape, blending the rhythmic complexity of Afrobeat with the melodic sensibilities of highlife and the atmospheric textures of electronic music. Released during a period when Kuti was actively redefining the boundaries of West African popular music, the song reflects a deep engagement with the cultural identity of Lagos and the broader Nigerian experience, yet it does so through a lens that feels both locally grounded and internationally accessible.

The recording of Dirty Dirty East captures a moment where the genre was undergoing a significant transformation, moving away from the purely instrumental or dance-oriented formats of the past toward a more narrative-driven style that prioritized lyrical depth and emotional resonance. Kuti's vocal delivery is characterized by a distinctive blend of traditional Yoruba phrasing and modern English, creating a polyphonic texture that mirrors the layered social realities often explored in his work. The song's structure avoids the repetitive, hypnotic loops typical of earlier Afrobeat recordings, instead employing dynamic shifts and intricate instrumental arrangements that feature a fusion of traditional percussion with synthesized beats and ambient soundscapes.

Musically, the piece is anchored by a driving rhythm section that pays homage to the legacy of the Kuti family while introducing new harmonic progressions and melodic motifs. The instrumentation is eclectic, incorporating elements of jazz, soul, and world music to create a soundscape that feels both familiar and novel. This approach allowed the track to resonate with audiences across different musical backgrounds, from those deeply rooted in African traditions to listeners of contemporary global pop and electronic music. The song's themes touch upon the vibrant, sometimes chaotic, energy of East Africa, using metaphor and imagery to evoke a sense of place without relying on literal descriptions.

Critically and commercially, the era in which Dirty Dirty East was released saw a growing international interest in authentic African sounds, and Outlandish played a pivotal role in this movement. The song received positive attention for its sophisticated production and Kuti's ability to articulate complex cultural narratives through music. It was celebrated for avoiding the stereotypical tropes often associated with African music, instead presenting a nuanced portrait of a modern Nigerian identity. While specific chart positions or sales figures from the time are not widely documented in general music history, the track is remembered as a significant contribution to the evolution of Afrobeat, influencing subsequent artists who sought to blend traditional roots with modern production techniques.

In the broader context of Outlandish's discography, Dirty Dirty East represents a mature phase of the artist's career, showcasing a refinement of style and a deepening of thematic exploration. It complements other works by the project that explore similar themes of cultural pride and social observation, contributing to a body of work that has been recognized for its artistic integrity and innovation. The song remains a testament to the power of music to preserve and project cultural heritage while engaging with the global audience, ensuring that the sounds of the East continue to speak to the world in fresh and compelling ways.