Sakhiyan

Tulsi Kumar · Bhool Bhulaiyya

Director: Pritham Chakrobarthy
Lyricist: Sameer
Singers: Tulsi Kumar


Sakhiya Re Sakhiya Re Meethi Meethi Batiya Re
Sakhiya Re Sakhiya Re Ohhhh
Sakhiya Re Sakhiya Re Katti Nahi Raathiya Re
Sakhiya Re Sakhiya Re Ohhhh

[Do Dilon Ki Doori Musjhse Sahi Na Jaye
 Dil Tere Ek Pal Kahin Na Chain Mujhko Aaye
 Jawaan Is Dhadkan Ki Betaabi Ka Aab Karnaa Ha Izhaar
 Na Jaane Tu Na Jaane Yaar Mujhe Tujhse Hai Kitna Pyaar -- (2) ]-- (2)

Aarzooo Aarzoo Bas Teri Aarzoo -- (2)

Sakhiya Re Sakhiya Re Meethi Meethi Batiya Re
Sakhiya Re Sakhiya Re Ohhhh
Sakhiya Re Sakhiya Re Katti Nahi Raathiya Re
Sakhiya Re Sakhiya Re Ohhhh

Kya Zameen Aur Kya Falak Hai
Har Jagah Tera Aks Hai
Khwaabo Nmein Yaadon Mein Kya Hai
Sirf Teraa Aks Hai
Dard Doondhe Hai Teri Hi Chaahton Ki Dastaan
Tu Nahi Paas To Jeena Hai Bekaar

Na Jaane Tu Na Jaane Yaar Mujhe Tujhse Hai Kitna Pyaar -- (2)

Aarzooo Aarzoo Bas Teri Aarzoo (2)
[Dhola Re Dhola, Dhola Re Dhola
 Dhola Re Dhola, Dhola Re Dhola ]-- (2)

[Zindagi To Kat Rahi Bas Tere Ehsaas Mein
 Bas Teri Tishnagi Hai In Labon Ke Pyaas Mein ]-- (2)
Saare Armaoon Bol Dungi Roobaro Jab Ayega
Jaane Ja Tujhse Hi Karna Ikarar

Na Jaane Tu Na Jaane Yaar Mujhe Tujhse Hai Kitna Pyaar -- (2)

Aarzooo Aarzoo Bas Teri Aarzoo -- (2)

Sakhiya Re Sakhiya Re Meethi Meethi Batiya Re
Sakhiya Re Sakhiya Re Ohhhh
Sakhiya Re Sakhiya Re Katti Nahi Raathiya Re
Sakhiya Re Sakhiya Re Ohhhh

Sakhiyan

Tulsi Kumar's 'Sakhiyan' stands as a defining track from the 2007 Bollywood film Bhool Bhulaiyya, showcasing her mastery of the Indian classical thumri genre. The recording blends traditional vocal techniques with the film's whimsical, supernatural atmosphere, creating a hauntingly beautiful soundscape that became a cultural touchstone. As a key component of the movie's soundtrack, the song exemplifies how classical Indian music can be seamlessly integrated into modern cinema to evoke emotion and narrative depth. Its enduring popularity highlights Kumar's ability to craft melodies that resonate across generations, cementing her status as a leading exponent of the thumri style in contemporary Hindi music.