Salame Salame
Kunal Ganjawala · Dhoom
Lyricist: Sameer
Singers: Kunal Ganjawala, Vasundara das
Male Voice:
Me gusto mucho bailar bailar, quiero samba quiero salsa
Me gusto mucho bailar bailar, quiero samba quiero rumba
Chorus:
Fiesta, latina, it's driving wild, come salsa with me, it's party time -- (2)
Kunal:
[Dekho diwaanon, kya mast mast hai sama
Jo hai, abhi hai, ye waqt waqt phir kahaan] -- (2)
Nayi raat hogi, nayi baat hogi
Naye kal ko aao kare ham kare ham kare
With Chorus:
Salaame, salaame, salaame kar le salaame -- (2)
Vasundhara:
Dekho diwaanon, kya mast mast hai sama
Jo hai, abhi hai, ye waqt waqt phir kahaan
Nayi raat hogi, nayi baat hogi
Naye kal ko aao kare ham kare ham kare
With Chorus:
Salaame, salaame, salaame kar le salaame -- (2)
Chorus:
Me gusto mucho bailar bailar, quiero samba quiero salsa
Me gusto mucho bailar bailar, quiero samba quiero rumba
La la laai, la la laai…
Kunal:
Behka nasheela nasheela sama
Ab hosh mein ham kahaan
Vasundhara:
Thhokar mein apni hai saara jahaan
Ham toh abhi hai jawaan
Kunal:
Jab tak jawaani hai, tab tak kahaani hai
Kehna mera maan le
Vasundhara:
Do din ki masti hai, do din ki hasti hai
Sach kya hai pehchaan le
Kunal:
Nayi raat hogi, nayi baat hogi
Naye kal ko aao kare ham kare ham kare
Both:
Salaame, salaame, salaame kar le salaame -- (2)
Chorus:
Fiesta latina, it's driving wild, come salsa with me, it's party time -- (2)
Vasundhara:
Saare zamaane se ham bekhabar
Ham pe na koyi asar
Kunal:
Jaane rukega kahaan aur kidhar
Awaargi ka safar
Vasundhara:
Ham toh diwaane hain, kab se begaane hain
Jo chaahein ham woh kare
Kunal:
Koyi sune kuchh bhi, koyi kahe kuchh bhi
Ham na kissi se darre
Vasundhara:
Nayi raat hogi, nayi baat hogi
Naye kal ko aao kare ham kare ham kare
Both:
Salaame, salaame, salaame kar le salaame -- (4)
Salame Salame
Kunal Ganjawala's 'Salame Salame' serves as the energetic title track for the 2007 film Dhoom, establishing his signature style in Bollywood soundtracks. The song exemplifies the high-octane, rhythmic fusion that defined the mid-2000s action genre, blending traditional Indian instrumentation with modern electronic beats to create a driving soundtrack for the franchise. As a key component of Ganjawala's discography, the recording showcases his ability to craft memorable, danceable tracks that complement high-stakes cinema. Alongside other notable works like 'Bheege Hont Tere' and 'Na Jis Din Teri Meri Baat Hoti Hai', this track remains a staple of his catalog, illustrating his enduring influence on contemporary Indian pop music and his consistent delivery of upbeat, crowd-pleasing compositions across various film projects.