Papa Kehte Hai
Udit Narayan · Qayamat Se Qayamat Tak
Director: Anand Milind
Lyricist: Majrooh Sultanpuri
Singers: Udit Narayan
[Papa Kehte Hain Bada Naam Karega
Beta Hamara Aisa Kaam Karega
Magar Yeh To Koi Na Jaane
Ki Meri Manzil Hai Kahan]-- (2)
Papa Kehte Hain Bada Naam Karega
[Baithe Hain Milke Sab Yaar Apne
Sabke Dilon Mein Armaan Yeh Hai]-- (2)
Wo Zindagi Mein Kal Kya Banega
Har Ek Nazar Ka Sapna Yeh Hai
Koi Engineer Ka Kaam Karega
Business Mein Koi Apna Naam Karega
Magar Yeh To Koi Na Jaane
Ki Meri Manzil Hai Kahan
Papa Kehte Hain Bada Naam Karega
[Mera To Sapna Hai Ek Chehra
Dekhe Jo Usko Jhoome Bahar]-- (2)
Gaalon Mein Khilti Kaliyon Ka Mausam
Aankhon Mein Jaadu Honthon Mein Pyaar
Banda Ye Khoobsurat Kaam Karega
Dil Ki Duniya Mein Apna Naam Karega
Meri Nazar Se Dekho To Yaaron
Ki Meri Manzil Hai Kahan
Papa Kehte Hain Bada Naam Karega
Lyricist: Majrooh Sultanpuri
Singers: Udit Narayan
[Papa Kehte Hain Bada Naam Karega
Beta Hamara Aisa Kaam Karega
Magar Yeh To Koi Na Jaane
Ki Meri Manzil Hai Kahan]-- (2)
Papa Kehte Hain Bada Naam Karega
[Baithe Hain Milke Sab Yaar Apne
Sabke Dilon Mein Armaan Yeh Hai]-- (2)
Wo Zindagi Mein Kal Kya Banega
Har Ek Nazar Ka Sapna Yeh Hai
Koi Engineer Ka Kaam Karega
Business Mein Koi Apna Naam Karega
Magar Yeh To Koi Na Jaane
Ki Meri Manzil Hai Kahan
Papa Kehte Hain Bada Naam Karega
[Mera To Sapna Hai Ek Chehra
Dekhe Jo Usko Jhoome Bahar]-- (2)
Gaalon Mein Khilti Kaliyon Ka Mausam
Aankhon Mein Jaadu Honthon Mein Pyaar
Banda Ye Khoobsurat Kaam Karega
Dil Ki Duniya Mein Apna Naam Karega
Meri Nazar Se Dekho To Yaaron
Ki Meri Manzil Hai Kahan
Papa Kehte Hain Bada Naam Karega
Papa Kehte Hai
Udit Narayan delivers a timeless romantic ballad in 'Papa Kehte Hai,' from the 1988 blockbuster Qayamat Se Qayamat Tak. As one of Bollywood's most celebrated playback singers, Narayan's voice defines the era's melodious pop-rock sound, blending traditional Indian instrumentation with contemporary arrangements. The track exemplifies his signature ability to convey deep emotion through vocal nuance, becoming an enduring staple of Indian cinema music. Its enduring popularity highlights Narayan's significant contribution to the genre, cementing his status as a pillar of the industry's musical legacy throughout the late twentieth century.