Shaam Gayi Raat Aayi
Lata Mangeshkar · Shree 420
Director: Shankar-Jaikishan
Lyricist: Hasrat Jaipuri
Singers: Lata Mangeshkar
Shaam Gayi Raat Aayi Ke Balam Aaja - (2)
Taaron Ki Baraat Aayi Ke Balam Aaja - (2)
O Balam Aaka Ab Toh Sanam Aaja - (2)
Shaam Gayi Raat Aayi Ke Balam Aaja
Raat Aur Din Ke Milan Ki Ghadi Mein
Thandi Thandi Saawani Ki Chhadi Mein
Do Dilon Ne Jo Baandhe The Bandhan
Unmein Khoyi Khadi Main Khadi Main
Yaad Mulaakat Aayi Ke Balam Aaja - (2)
O Balam Aaka Ab Toh Sanam Aaja - (2)
Shaam Gayi Raat Aayi Ke Balam Aaja
Meechu Aankhein Toh Teri Suratiya
Cham Cham Chamken Jaise Bijuriya
Pyar Bhar Tere Naino Ke Rang Mein - (2)
Bheege Mann Ki Chunariya Chunariya
Jaise Barsaat Aayi Ke Balam Aaja - (2)
O Balam Aaka Ab Toh Sanam Aaja - (2)
Haam Gayi Raat Aayi Ke Balam Aaja
Taaron Ki Baraat Aayi Ke Balam Aaja
Lyricist: Hasrat Jaipuri
Singers: Lata Mangeshkar
Shaam Gayi Raat Aayi Ke Balam Aaja - (2)
Taaron Ki Baraat Aayi Ke Balam Aaja - (2)
O Balam Aaka Ab Toh Sanam Aaja - (2)
Shaam Gayi Raat Aayi Ke Balam Aaja
Raat Aur Din Ke Milan Ki Ghadi Mein
Thandi Thandi Saawani Ki Chhadi Mein
Do Dilon Ne Jo Baandhe The Bandhan
Unmein Khoyi Khadi Main Khadi Main
Yaad Mulaakat Aayi Ke Balam Aaja - (2)
O Balam Aaka Ab Toh Sanam Aaja - (2)
Shaam Gayi Raat Aayi Ke Balam Aaja
Meechu Aankhein Toh Teri Suratiya
Cham Cham Chamken Jaise Bijuriya
Pyar Bhar Tere Naino Ke Rang Mein - (2)
Bheege Mann Ki Chunariya Chunariya
Jaise Barsaat Aayi Ke Balam Aaja - (2)
O Balam Aaka Ab Toh Sanam Aaja - (2)
Haam Gayi Raat Aayi Ke Balam Aaja
Taaron Ki Baraat Aayi Ke Balam Aaja
Shaam Gayi Raat Aayi
Lata Mangeshkar's 'Shaam Gayi Raat Aayi' is a timeless gem from the 1968 film Shree 420, showcasing her unparalleled ability to convey deep emotion through melody. Recorded in the classic Bollywood style of the era, the song exemplifies her signature blend of soulful delivery and intricate musical composition. As a staple of her discography, this track remains a cherished example of her contribution to Indian cinema music, reflecting the romantic and melancholic themes prevalent in mid-20th-century Hindi film scores. Her voice continues to resonate as a benchmark for female vocalists in the genre, preserving the legacy of this enduring recording.