Ring Them Bells
Alice In Chains · Other Songs - Alice In Chains
From the city that dreams,
Ring them bells from the sanctuaries
Cross the valleys and streams,
For they're deep and they're wide
And the world's on its side
And time is running backwards
And so is the bride.
Ring them bells, ring them bells!
Ring them bells, ring them bells!
Ring them bells St. Peter
Where the four winds blow,
You gotta ring them bells with an iron hand
So the people will know
That the rush hour is now
On the wheel and the plow
And the sun is going down
Upon the sacred cow.
Ring them bells, ring them bells!
Ring them bells, ring them bells!
Ring them bells Sweet Martha,
For the poor man's son,
You gotta ring them bells so the world will know
That God is one.
For the shepherd is asleep
Where the willows weep
And the mountains are filled
With little lost sheep.
Ring them bells for the blind and the deaf,
Ring them bells for all of us who are left,
Ring them bells for the chosen few
Who will judge the many when the game is through.
Ring them bells, for the time that flies,
For the child that cries
When innocence dies.
Ring them bells St. Catherine
From the top of the room,
Now ring them bells from the fortress
For the lilies in bloom.
For the lines, they are all long
And the fighting is strong
And they're breaking down the distance
Between right and wrong.
Ring them bells, ring them bells!
Ring them bells, ring them bells!
Ring Them Bells
Ring Them Bells stands as a defining track from Alice in Chains' 1995 album, Alice in Chains. The song captures the band's signature heavy, sludgy sound, blending Layne Staley's haunting vocals with the intricate, interlocking guitar work of Jerry Cantrell and Mike Starr. Released during a period of intense creative output, the recording showcases the group's mastery of the grunge and heavy metal genres. The track's driving rhythm and melancholic atmosphere reflect the emotional weight characteristic of the band's mid-nineties work. As part of a celebrated discography, this song remains a staple of their live performances and a testament to their enduring influence on alternative rock. It exemplifies the dark, brooding aesthetic that helped cement Alice in Chains as a pivotal force in the Seattle music scene.

