Can't Haunt Me

Skylar Grey · Don't Look Down [2013]

[Both]

I'm a zombie, zombie, zombie



[Skylar Grey]

Laying underground

It can't get any worse, get any worse

So violate me as you wish

But I'm too numb to hurt, too numb to hurt



Don't surprised or terrified

There are no more tears left to cry

Do what you like

[Marilyn Manson]

I'll do what I like

[Grey]

So do what you like

[Manson]

I'll do what I like



[Grey]

Nothing can take my breath away

My lungs are empty anyway

Do what you like

[Manson]

I'll do what I like

[Grey]

I'm not alive



[Both]

I'm like a zombie, zombie

So you can't haunt me, you can't haunt me

I'm like a zombie, zombie

So you can't haunt me, you can't haunt me



[Grey]

Washed up with the tide again

I have seen enough, I've seen too much

[Manson]

You haven't seen anything

[Grey]

Come here Necrophilia

I'm cold to the touch, cold to the touch



Don't surprised or terrified

There are no more tears left to cry

Do what you like

[Marilyn Manson]

I'll do what I like

[Grey]

So do what you like

[Manson]

I'll do what I like



[Grey]

Nothing can take my breath away

My lungs are empty anyway

Do what you like

[Manson]

I'll do what I like

[Grey]

I'm not alive



[Both]

I'm like a zombie, zombie

So you can't haunt me, you can't haunt me

I'm like a zombie, zombie

So you can't haunt me, you can't haunt me

Can't Haunt Me

Skylar Grey's "Can't Haunt Me" serves as a hauntingly atmospheric centerpiece on her 2013 album *Don't Look Down*. The track exemplifies her signature blend of R&B and electronic pop, characterized by a brooding vocal delivery that builds tension before releasing into a melodic resolution. Released during a period where Grey was refining her sound beyond her earlier work with The Saturdays, the song reflects her growing independence as a solo artist. It stands as a testament to her ability to craft moody, emotionally resonant tracks that rely on texture and atmosphere rather than traditional radio-friendly structures. The recording captures the essence of late-night introspection, positioning the song as a defining moment in her discography that showcased her evolution into a more mature, genre-blending vocalist.