I'm Gonna Forget About You
Sam Cooke · Other Songs - Sam Cooke
Waitin' by my telephone
You said you'd call me 'bout a quarter to ten
But you went and stood me up again
I don't know what you're gonna do, but
I'm gonna forget about you, yeah
I'm gonna take your picture off my wall
And then I'm goin' out and have a ball
Too many fishes in the deep blue sea
For me to let you make a fool of me
I don't know what you're gonna do, but
I'm gonna forget about you
Please don't tell me that you're sorry
Don't give me the same old line
I know for a fact if I took you back
You'd make me lose my mind baby
And if I lost it, it would be my fault
So I think it's time we called a halt
I've had as much of you as I can stand
Instead of me, mistreat some other man
I don't know what you're gonna do, but
I'm gonna forget about you
Baby, I'm gonna take your picture off my wall
Then I'm goin' out and have a ball
Too many fishes in the deep blue sea
For me to let you make a fool of me
I don't know what you're gonna do, but
I'm gonna forget about you
Yeah, forget about you baby
I'm gonna forget about you
I'm gonna forget about you baby
I'm gonna forget about you
About I'm Gonna Forget About You
Sam Cooke's "I'm Gonna Forget About You" stands as a quintessential example of his smooth, soulful vocal style, characterized by a laid-back groove and a signature falsetto that defined the mid-1960s sound. Recorded during a period when Cooke was transitioning from the energetic R&B of his earlier years with the Soul Stirrers to a more mature, jazz-influenced approach, the track exemplifies his ability to blend romantic vulnerability with sophisticated musicality. The song features a distinctive, rolling rhythm that underscores its message of moving on from a relationship, delivered with an effortless cool that became a hallmark of his live performances and studio recordings alike. As a staple of his discography, the track remains a powerful representation of the era's soul music, showcasing Cooke's unique voice and compositional talent that bridged the gap between gospel roots and pop sensibilities.

