Outti

Big Sean · Other Songs - Big Sean

Chorus:



Always (Out), A-Always (Out), Always (Out), O-Outti.

A-Always (Out), Always (Out) A-A-Always (Out, Always, Always..).

Outta here, Outta here, Outta here,

O-O-Outta here, Outta here, Outta Here, Outta here, O-O-Outta here.

A-Always (Out), Always (Out) A-A-Always (Out, Always, Always..).



Big Sean:



B-I- Muthafuckin G, Tryna duck the law,

Oh i'm finna catch a charge like a fuckin credit card,

Aye i'm so off-lean, How could a nigha not lean sippin

on a 100 proof, I might as well drink gasoline...

Goddamn i can't even taste it,

I can't feel my face.. It feel like i gotta face-lift, lets face it,

Never been racist, White or dark liquor smokin like

a power plant, Yeah a nighas that wasted,

Yeah i gotta main bitch, but you can be my next girl,

Said shes tryna pop a pill so she can be my X-Girl..

Yeah ima reckless, Wreck this but i still got up my

F's, What the hell you think I rep? And im A-A-Always...



Chorus:



Always (Out), A-Always (Out), Always (Out), O-Outti.

A-Always (Out), Always (Out) A-A-Always (Out, Always, Always..).

Outta here, Outta here, Outta here,

O-O-Outta here, Outta here, Outta Here, Outta here, O-O-Outta here.

A-Always (Out), Always (Out) A-A-Always (Out, Always, Always..).

Outti

Big Sean's 'Outti' stands as a defining track from his 2013 album *The Big Sean Show*, showcasing his evolution from a viral internet sensation to a respected figure in hip-hop. The song exemplifies his signature style, blending rapid-fire lyricism with a laid-back, melodic flow that characterizes his work during the early 2010s. Produced by a minimalist beat, the recording highlights Sean's ability to navigate complex rhyme schemes while maintaining a conversational, introspective tone. As a key part of his discography, the track reflects the era's shift toward more personal storytelling and technical proficiency, cementing his status as a leading voice in contemporary rap. It remains a staple for fans appreciating his unique blend of humor, vulnerability, and lyrical dexterity.