Papamama ~Nozomare nu Baby~
Miyavi · Miyavizm [2005]
Mou ii yo
Papa, mama, ojiisan, oneechan... gomen ne, gomen ne
Sensei, Tonari no obachan, Tarou-kun, hontou ni gomen ne
Nakitakunaru youna fuckin' days
Mr. Goddess
Shinitakunaru hodo everyday
Mr. Goddess
Mou ii yo, mou ii yottara
Yameteyo, hottoiteyo, kamawanai de yo
Papa
Papa wa yama he, mama wa kawa he, boku wa mata hitori
Nee, doushite doushite papa to mama wa sekkusu shita no?
Mimi wo samui de say good-night
Mr. Goddess
Makura nurashite say good-morning
Mr. Goddess
Mou ii yo, mou ii yottara
Yameteyo, hottoiteyo, kamawanai de yo
Mou ii yo, mou ii yottara
Yameteyo, hottoiteyo, kamawanai de yo
Mou ii yo, mou ii yottara
Kizuite yo, furimuite yo, dakishimete yo
Mama
Papa, mama, ojiisan, oneechan... gomen ne, gomen ne
Sensei, Tonari no obachan, Tarou-kun, hontou ni gomen ne
Nakitakunaru youna fuckin' days
Mr. Goddess
Shinitakunaru hodo everyday
Mr. Goddess
Mou ii yo, mou ii yottara
Yameteyo, hottoiteyo, kamawanai de yo
Papa
Papa wa yama he, mama wa kawa he, boku wa mata hitori
Nee, doushite doushite papa to mama wa sekkusu shita no?
Mimi wo samui de say good-night
Mr. Goddess
Makura nurashite say good-morning
Mr. Goddess
Mou ii yo, mou ii yottara
Yameteyo, hottoiteyo, kamawanai de yo
Mou ii yo, mou ii yottara
Yameteyo, hottoiteyo, kamawanai de yo
Mou ii yo, mou ii yottara
Kizuite yo, furimuite yo, dakishimete yo
Mama
Papamama ~Nozomare nu Baby~
Miyavi's "Papamama ~Nozomare nu Baby~" serves as a vibrant centerpiece on his 2005 album, Miyavizm. Released during the height of his career, the track exemplifies his signature blend of rock energy and melodic sensibility, characteristic of his work in the Japanese rock scene. The song reflects the dynamic production style he employed to craft a cohesive body of work that resonated with audiences seeking a fusion of traditional rock structures and contemporary pop hooks. As part of his discography from this era, the recording stands as a testament to his ability to deliver high-energy performances that defined his musical identity in the mid-2000s.

