Subarashiki Kana, Kono Sekai
Miyavi · This Iz The Japanese Kabuki Rock [2009]
Tatoe boku ga inakunatte mo
Warainagara, shiran kao shite
Sonna mon sa jinsei
A--kudaranai ne, nayameru dake iijan majide
Atatte kudakete mo minai de akiremenante omedetai ne
Yoku kiitoki na yo redi- soko no bouzu mo kiitoke beibe-
Isshou sono moyamoya daite ikitekun nara kami ya shinai ze
Betsuni zennin butteru wake demo,
Erasou ni sekkyou shitai wake demo ne- kedo
Tada kono yo no naka niya umareta riyuu mo shirazu
Sayonara tsugeru koto sae dekinu mama shindeku yatsu mo irunda baka
Chotto demo mada yuuki annonara
Mou ichido mo gaki agaite mitara doudai?
That's right sono toori ippo ippo aruke mae no kata ni kondatte iijan
Kujikette going my way just do it dekiru to shinji michi wo aku
Mo gaki agaite ikiru no ga real kiga, okiraku nante gomen da ne
Ibara no michi iku ashi, tomenjyanee
Mawaru mawaru sekai wa mawaru
Tatoe boku ga inakunatte mo
Warainagara, shiran kao shite
Sonna mon sa jinsei
Dattara isshon natte warai kogete yo-ze
Doudou to mune hatte iko-ze that's life all right, you know me?
Mitsumetemiru yo kyou to kinou wo ashita ni tase yume to kibou wo
Memagurushiku ugoku toki no nagare
Jibun no kachi wo sagasu no naka de
Mawaru yo sekai wa sonna no uwa no
Sora de boku ni kizuitekure doko ka de
Tomare tomare tokei yo tomare
Fuui ni mune ga hachikire sou demo
Kawaru kawaru keshiki no naka de
Uemuite nakeba ii sa
Mawaru mawaru sekai wa mawaru
Tatoe boku ga inakunatte mo
Warainagara, shiran kao shite
Sonna mon sa jinsei
Dattara issho n natte warai kogete yo-ze
Subarashiki Kana, Kono Sekai
Miyavi's "Subarashiki Kana, Kono Sekai" stands as a defining track on his 2009 album, "This Iz The Japanese Kabuki Rock." Released during a period where the artist blended his signature rock intensity with theatrical flair, the song exemplifies his unique ability to merge traditional Japanese theatrical aesthetics with modern metal and rock instrumentation. The recording captures the raw energy and dramatic narrative often found in Miyavi's discography, showcasing his vocal prowess and songwriting that frequently explores themes of transformation and emotional turbulence. As a key piece from this era, it remains a staple in discussions of Japanese rock music that seeks to carve out a distinct identity separate from Western metal conventions, reflecting the artist's commitment to creating a sound that is both aggressive and culturally rooted.