Hit 'Em Up, Roll Out (feat. Leatha Face)

U-God · Mr. Xcitement [2005]

[Leatha Face]

What's the outcome when your testing mines?

Snatch spies when the weapon reclies

The headlines read the man of steel made him bleed

Shooting a trigger, super nigga called Christopher Reeves

No tricks up my sleeve, what lies in my fist, won't permit you breathe

Hit you with three, now when you piss you bleed

A risk indeed, my format can kill, on a warpath

Thoughts crashed, fasten your grill

Mastered the skill of tongue lashing, and still

I unfasten my Jordans, spill out the raw

Peel out the four, with the fifth attached

The impact, was forced, you caught the kick back

Clap the star, where the bullet was lodged in the boulevard

It's hard crash, blow your car

Oddjob, some rob, some resort to God

Some snort the import, they got lost in the fog

Afford your cars, Lamborghinis, bikini's, pinky rings blingy

Blowin' the stinky, drink with me

Bang to the fullest respect, stay in check

Or lay down, when I'm pullin' the tech

I jet on your set, to disconnect it

Life support system, direct, your wreckless

The Texas Chainsaw, sever you brains off

To hang the cost, when I flame the torch



[Chorus 2X: Leatha Face (U-God)]

We hit 'em up, hit 'em up, hit 'em up, hit 'em up

(Then ride out, ride out, ride out, ride out)



[U-God]

The sharp and expensive, blinding ya senses

Lean back in the stretch Lex'

Crack the treasure chest, it's one of the best

Now, feel the force of the full court press

I apply the kiss of death, something for real

The realness, untouchable Elliott Ness

Yo select a vet, take me off the bench, I'm supposed to lynch

The angel in the air, you can smell the stench

Soldiers in the trench, moving east to west

I gave you a note, you can keep the rest

Rip the whole coast, when I heat the flesh

At the Greek Fest, hit a couple of bars

Smash whips and strips like bumper cars

Your amongst the odds and what lies in the pelly'

The baby glock nine, the size of a celly

Now it's a "Dilemma" like Nelly and Kelly

Milk Pirelli tire, when I put that in a hurry

With a fist of fury, martini with a cherry

Very necessery when I make it to the top

On my cock, Halle Berry

Staten Island Ferry where the legends were made

In the staircase, throw a rap grenade

Take it back in the day, get clapped for ya chain

Left your bloodbath on behalf of the pain

He's a high grain bullet, women call him daddy

Fish tank shoes, jumped out the Caddy

Grand finale, yo, the champ is here

The cameras glare under the chandelier

Why you standing there, like you can hold it down

There's nine of us, only one can wear the crown

Tear it down, down to the last compound

New York mix with a Compton style

Go bonkers wild on ya stomping ground

Lay down the carpet when I walk down the aisle

Telephone, he keep stalking the child

For a misdemeanor, now I'm going to trial

Secluded in exhile, like my sex wild

Private jet style, who the livest vet now?

Pass me a wet towel, don't get vexed, now

Beat onto your chest when I let the tech growl



[Chorus 2X]

Hit 'Em Up, Roll Out

Released in 2005 on the album Mr. Xcitement, "Hit 'Em Up, Roll Out" stands as a defining track within the discography of U-God, the prominent figure of the Wu-Tang Clan collective. The song serves as a dynamic extension of the group's signature style, blending the gritty, street-level narrative of East Coast hip-hop with the rhythmic complexity characteristic of the Wu-Tang sound. Featuring Leatha Face, the track exemplifies the collaborative spirit often found in the group's recordings, where vocalists and rappers contribute layered verses that build upon one another to create a dense, immersive sonic landscape. The inclusion of Leatha Face adds a distinct texture to the mix, offering a melodic counterpoint to U-God's rapid-fire delivery that has become a staple of his performance style over the years.

Musically, the recording captures the essence of the mid-2000s hip-hop scene, which saw a resurgence of interest in the raw, unpolished aesthetic of the 1990s while incorporating modern production techniques. The beat driving the track is likely constructed with a sample-based approach, a hallmark of the genre, providing a steady, driving rhythm that allows the vocalists to maintain their intensity without being overshadowed by the instrumentation. The song's structure follows the traditional flow of a hip-hop track, with verses alternating between the featured artist and the main rapper, punctuated by instrumental breaks that highlight the musicality of the composition. This format not only showcases the technical skill of the performers but also reinforces the thematic elements of the song, which often revolve around the realities of urban life, competition, and the pursuit of success.

The lyrical content of "Hit 'Em Up, Roll Out" aligns with the broader themes explored in U-God's work, focusing on the resilience and aggression required to navigate the challenges of the streets. Without quoting specific lines, the song's narrative arc suggests a confrontation or a display of dominance, themes that are central to the persona U-God has cultivated throughout his career. The interaction between U-God and Leatha Face creates a dialogue that is both competitive and respectful, reflecting the camaraderie and mutual respect that often underpins the group's interactions despite their individual personas. The song's energy is palpable, designed to engage listeners with its relentless pace and the sharpness of its delivery, making it a fitting addition to the Mr. Xcitement collection.

In the context of the wider hip-hop landscape, "Hit 'Em Up, Roll Out" contributes to the ongoing legacy of the Wu-Tang Clan, a group that has influenced countless artists across various genres. The track's placement on Mr. Xcitement, a project that likely reflects a specific phase in the group's or U-God's solo career, underscores the artist's ability to maintain relevance and artistic integrity over a long period. The song's reception within the hip-hop community has been generally positive, with many listeners and critics acknowledging the quality of its production and the skill of its performers. It is often cited as an example of the group's ability to deliver high-energy performances that resonate with fans who appreciate the authenticity and raw power of the genre. The collaboration with Leatha Face adds a layer of diversity to the track, showcasing the versatility of the featured artist and the collaborative nature of the project.

Ultimately, "Hit 'Em Up, Roll Out" remains a significant piece in U-God's catalog, representing a moment in time where the sounds of the 1990s and the innovations of the 2000s converged. Its enduring appeal lies in its ability to capture the spirit of the genre while delivering a compelling narrative that speaks to the experiences of its listeners. The song's contribution to the Mr. Xcitement album is evident in its ability to stand out as a highlight, offering a glimpse into the creative process and the artistic vision of U-God and his collaborators. As a track that balances technical proficiency with emotional resonance, it continues to be a point of reference for those interested in the evolution of hip-hop and the enduring impact of the Wu-Tang Clan's musical legacy.