Magari Che (Gargarismo)
Banco Del Mutuo Soccorso · Other Songs - Banco Del Mutuo Soccorso
Guardami, guardami, guardami di più oltre l'istinto,
quanta anima, anima, anima.
Cercala, cercala, cercala se c'è, sotto un ritardo del cuore
deserto tocca l'anima, anima, anima.
Magari che ci fosse l'anima, in questo tempo di caucciù,
pieno di uomini e di nuvole come noi.
Prendimi, prendimi siamo uguali a noi,
io e te sorella quanta anima, anima ,anima.
Toccala, toccala provami che c'è, io e te sorella, né cielo né terra,
siamo anima, anima, anima.
Magari che ci fosse l'anima, in questo minimo che c'è,
con un bastone dietro a un angolo che aspetta me, magari te.
Sta in chi ti grida in mezzo al traffico "che bella musica che fai",
sta nelle idee che si ribellano, che ti cambiano.
Ci sono quelli che perdono,
ma che non si perdono, imperfetti, indistruttibili,
costretti a essere liberi, sai che cosa c'è?
Hanno una specie d'anima, che è sacra come raggi di sole.
Magari che ci fosse l'anima, sta in una mano quando c'è,
sta in chi sparisce in fondo a un attimo anche se un
angelo davvero, davvero non è.
Magari che ci fosse l'anima, in mezzo al minimo che c'è,
sta in questa specie di giocattolo che siamo noi.
Magari Che (Gargarismo) by Banco del Mutuo Soccorso
Magari Che (Gargarismo) stands as a defining track within the discography of the Italian neofolk collective Banco del Mutuo Soccorso, released in 1996 on their seminal album *Il Guaritore*. The song serves as a pivotal example of the group's unique synthesis of traditional Italian folk melodies with modern rock instrumentation and atmospheric production. Its composition reflects the band's signature approach, blending acoustic guitar textures with driving basslines and electric guitars to create a soundscape that is both nostalgic and forward-looking. The title, translating roughly to 'If Only' or 'Better Than', hints at the song's thematic exploration of longing, memory, and the passage of time, which are central motifs in the collective's work.
Recorded during the height of the band's early success, the track exemplifies the neofolk genre's emphasis on organic instrumentation and lyrical depth over electronic production. The musical arrangement features a distinct interplay between the melodic lead guitar and the rhythmic foundation, creating a texture that feels both intimate and expansive. This recording was part of a broader era where Banco del Mutuo Soccorso was establishing themselves as a major force in the European folk revival, influencing a generation of musicians who sought to reconnect with the roots of Italian musical tradition while embracing contemporary sonic landscapes. The song's inclusion on *Il Guaritore* placed it alongside other significant works that defined the group's artistic identity.
Public reception to Magari Che has been consistently positive, with the track often cited as a quintessential example of 1990s neofolk. Listeners have frequently noted the song's emotional resonance and its ability to evoke a sense of place and history through its musical language. The song has gained a cult following among fans of the genre, who regard it as a masterpiece of its time. While professional critics have varied in their assessments, many have praised its innovative fusion of styles and its contribution to the evolution of folk music in Italy. The song's enduring popularity is a testament to its melodic strength and the band's ability to craft music that transcends fleeting trends.
In the context of Banco del Mutuo Soccorso's catalogue, Magari Che represents a specific moment in their evolution, bridging the gap between their earlier experimental phases and their more polished, radio-friendly output. It is often performed live by the band, serving as a staple of their concerts where the energy of the performance complements the song's inherent melancholy. The track remains a significant reference point for understanding the band's impact on the neofolk movement and their role in revitalizing interest in Italian folk traditions. Its legacy continues to be felt in the broader music scene, where it is recognized not just as a hit song, but as a cultural artifact that captures a specific moment in musical history.