Go! Go! Baby

May J. · Other Songs - Mai Kuraki

GO! GO! BABY♡ ima sugu hajiketai no
GO! GO! BABY♡ dare ni mo tomerarenai
makenai kono kagayaki wa Never gonna stop

GO sain mo matanaide akuseru fumikomu
handoru wa yuzuranai tonari ni suwatte te
kaanabi ha ofu ni shite
It doesn’t matter where we go
kimi to nara dokodemo So good

Burêki mo kikanai kurai ni koi wa over drive
kono mama ikeru tokomade tobashiteku to your heart

GO! GO! BABY♡ ima sugu hajiketai no
GO! GO! BABY♡ dare ni mo tomerarenai
makenai kono kagayaki wa Never gonna stop!
GO! GO! BABY♡ mada mada hajiketai no
GO! GO! BABY♡ ima sara tomerarenai
owaranai kono toki meki wa Never gonna stop!

Kakenukeru koi no highway furikireru metre
konna ni mo full speed suriru ga tomaranai
takanaru mune kizuiteru no? Can you hear my heart beat
kimi to nara kono mama So hot

Mou zenzen cool down nanka dekinai kara
Engine enjoushi chau chanto uketomete yo

GO! GO! BABY♡ ima sugu hajiketai no
GO! GO! BABY♡ dare ni mo tomerarenai
makenai kono kagayaki wa Never gonna stop!
GO! GO! BABY♡ mada mada hajiketai no
GO! GO! BABY♡ ima sara tomerarenai
owaranai kono toki meki wa Never gonna stop!

GO! GO! BABY♡・・・・・

GO! GO! BABY♡ ima sugu hajiketai no
GO! GO! BABY♡ dare ni mo tomerarenai
makenai kono kagayaki wa Never gonna stop!
GO! GO! BABY♡ mada mada hajiketai no
GO! GO! BABY♡ ima sara tomerarenai
owaranai kono toki meki wa Never gonna stop!

Go! Go! Baby

May J.'s "Go! Go! Baby" stands as a defining track of the Japanese pop revival that emerged in the mid-2000s. Released during a period when she was establishing herself as a leading figure in the genre, the song exemplifies the energetic, upbeat style that characterized her discography. The recording features her signature vocal delivery, blending pop sensibilities with the rhythmic drive typical of the era's mainstream Japanese music. As part of her broader body of work, the track contributed to her reputation for crafting anthemic songs that resonated with a wide audience. It remains a staple in discussions about the evolution of J-pop during that specific decade, showcasing her ability to create catchy, emotionally direct music that prioritized danceability and positive energy.