Hikari E
Miwa · Other Songs - Minami Kuribayashi
Hikari no sokudo ni kawatte mo
Chikyuu no ura yori tooi kyori
Adamu to ibu ni wa narenai
Kanashimi no umareta basho tadotte
Sono kizu yasashiku furete iyasetanara
Afureru omoi
Ai wa kimi wo terasu Hikari ni nareru
Setsunai hodo ni
Tatoe egaku mirai
Soko ni atashi ga inai to shite mo
Ima wa sotto dakishimete ageru
Unmei datte hikiyosete
Kagayaki tsuzuketai yo
Kiseki datte okoserutte shinjitai
Shinjitai
Enryo hairyo kotoba no saigo
Kanjou ni ukogasanete mo
Kokoro no okumade tsutawaranai
(Honto no koe wo kikasete)
Subete no koto ni owari ga aru nara
Kurushimi sae
Itsuka kieru hazudakara
Afureru omoi
Ai wa mune wo kogasu itami ni kawaru
Itoshii hodo ni
Tatoe sekaijuu no koe nakigoe ni
Semerareta to shite mo
Atashi ga zenbu uketomete ageru
Hito wa kanashimi wo shiru tame ni Umarete kita no?
Sonna koto nai Motto ai wo shiritai
Kodoku ga nukumori wo shiru tame ni aru no nara
Shiawase wa itsu datte soko ni aru no ni
Afureru omoi
Ai wa kimi wo terasu Hikari ni nareru
Setsunai hodo ni
(Hito wa kanashimi o shiru tame ni…)
Tatoe egaku mirai
Soko ni atashi ga inai to shite mo
Ima wa sotto dakishimete ageru
Unmei datte hikiyosete
Kagayaki tsuzuketai yo
Kiseki datte okoserutte shinjitai
Shinjitai
Hikari E - Miwa
Miwa's "Hikari E" stands as a defining track within her discography, showcasing her signature ability to blend J-pop sensibilities with introspective lyricism. Released during a period where she was solidifying her status as a leading vocalist in the Japanese music industry, the song reflects her characteristic focus on emotional depth and atmospheric production. As part of her broader body of work, the recording exemplifies her skill in crafting melodies that resonate with themes of light and hope, often explored through her unique vocal delivery. The track remains a notable song in her catalog, representing the polished sound that characterized her solo career and distinguishing her from contemporaries through its nuanced emotional landscape.