Baby Baby

Yusuke · Other Songs - Wise

Bunnagutta nakama to mikkago ni nakayori suru kuse ni
Nanda kanda tsuzuita omae to no kenka ga taenai
Tama ni wa kawaii kochan mo chirari kore wa otokono shikumi
Omae ga oran to nanimo dekin shokki no basho sura wakaran

Aru hi "anta wa dare demo ii no ka?" to
Honki majiri kikareta ano yoru
"Maa na." da nante tsuyogatta kedo aho ka omae dake dakara

Itsumademo Baby Baby isshou tsuitekoi
donna tsurai toki demo kurushikute mo oretachi nara ikeru hazu
Itsuka yoboyobo no jiji baba natte mo
Zutto zutto suki da zo aishiten zo ore ni wa omae shika inee

Zutto mae ni "zutto iru" to itta daro? are wa uso ja nai
Mirai no MAMA wagamama na PAPA ni naru ga shinyou shite kure
Ore no idenshi wo watashitai sore wa omae shika inai
Omae ga oran to nanimo dekin ashita sura yoku mienee

Itsuka "anta ga inai nara ikiru imi nai" to
Juwaki ni hohoemi yagatta kara
Hana de warai "baka iu na" ano na ore datte sou da

Itsumademo Baby Baby tayori ni shite kure
Donna tsurai toki demo kurushikute mo oretachi nara ikeru hazu
Itsuka yoboyobo no jiji baba natte mo
Zutto zutto suki da zo aishiten zo ore ni wa omae shika inee

Omae ga oran to dekiru koto yukkuri erohon yomeru
Omae ga oran to dekin koto mimikaki tokui no GYAGU
Omae to ore no futari dakara dekiru koto
Sore wa tada waraeru mirai no kazoku

Bib na Baby Baby issho ni tsukun zo!
Futari de namae nayande BIDEO mawashite chiisa na te nigirishimete
Moshimo Baby Lady umareta to shitara
Iu ze MAMA mitai na onna ni nare kawaiku takumashiku are
Moshimo Baby Boy ga umareta to shitara
Iu ze MAMA nitai na onna kudoke koredake wa machigainee

Baby Baby - Yusuke

Yusuke's 'Baby Baby' stands as a defining track within the Japanese pop landscape, showcasing his signature blend of melodic sensibility and emotional depth. Released in the mid-2000s, the song exemplifies the era's polished production style while maintaining a distinct vocal character that became a hallmark of his discography. As a staple of his catalogue, the recording captures the intimate yet expansive nature of his songwriting, resonating with audiences through its accessible hooks and heartfelt delivery. The track remains a notable song in his body of work, reflecting the commercial and artistic currents of Japanese music during its peak popularity. Its enduring appeal underscores Yusuke's ability to craft songs that balance mainstream appeal with genuine emotional resonance, cementing his status as a key figure in contemporary Japanese pop history.