I Am Satan

Paul Gilbert · Acoustic Samurai [2003]

Hey Judy

Do you remember how we met

You say you'll never forget

'Cause you love me



Well I love you too

And I'm good for you

But I'm afraid to ruin our plans

When you find out who I am



I am satan

I rule darkness and fight off the day

I am satan

You may wanna run

But I hope you will stay

I am satan

This year's king of the underworld

But there's nothing I can do

And I'd feel oh so blue without you



Hey Judy

Can you imagine how I feel

Can't we try to make a deal

'Cause you love me



And I love you too

I'm so good for you

But will you condemn me to hell

When you know why I dance so well



I am satan

I rule darkness and fight off the day

I am satan

You may wanna run

But I hope you will stay

I am satan

This year's king of the underworld

But there's nothing I can do

And I'd feel oh so blue without you



You run as fast as you could go

You need not fear me I won't follow

You'll always have respect from me

Now what do I see

You're walking back to me



I am satan

I rule darkness and fight off the day

I am satan

You may wanna run

But I hope you will stay

I am satan

This year's king of the underworld

And there's so much we can do

So let's go to Disneyland together

I Am Satan

Paul Gilbert's "I Am Satan" stands as a defining track from his 2003 album, Acoustic Samurai. Known for his virtuosic electric guitar work, Gilbert shifts focus here to a stripped-down acoustic setting, showcasing his versatility and melodic sensibility. The song reflects the intimate atmosphere of the record, which explores softer textures while maintaining the technical precision characteristic of his broader discography. This recording highlights Gilbert's ability to craft compelling narratives through instrumentation alone, moving away from the high-energy rock that often defines his career. As part of a collection that emphasizes songwriting and dynamic range, the track demonstrates his enduring influence in the instrumental and rock guitar communities. It remains a significant song in his catalog, illustrating the depth of his musical exploration during this period.