Ham Laakh Chhupaye Pyar Magar
Jaan Tere Naam Movie · Other Songs - Jaan Tere Naam Movie
Song By KUMAR SANU, ASHA BHOSLE
ham laakh chhupaayen pyaar magar duniya ko pata chal jaayega
lekin chhup chhup ke milne se milne ka maza to aayega
tum kitne bhole bhaale ho har baat ko khel samajhte ho
main jab duniya ki kahata hoon tum apane dil ki kahati ho
yah pyaar hamaara rab jaane ( jaane kya rang laayega ) -2
lekin chhup chhup ke ...
ye mast hawa mahaki ye fiza aankhon mein nasha sa chhaata hai
ik rang khushi ka aata hai ik rang khushi ka jaata hai
ye meetha meetha dard mujhe din raat yoon hi tadapaayega
lekin chhup chhup ke ...
tum in baanhon ke ghere mein aankhen band karke so jaao
kal kya hoga ye bhool ke tum meethe sapanon mein kho jaao
main rakhawala is tan man ka jo hoga dekha jaayega
lekin chhup chhup ke ...
ham laakh chhupaayen pyaar magar duniya ko pata chal jaayega
lekin chhup chhup ke milne se milne ka maza to aayega
tum kitne bhole bhaale ho har baat ko khel samajhte ho
main jab duniya ki kahata hoon tum apane dil ki kahati ho
yah pyaar hamaara rab jaane ( jaane kya rang laayega ) -2
lekin chhup chhup ke ...
ye mast hawa mahaki ye fiza aankhon mein nasha sa chhaata hai
ik rang khushi ka aata hai ik rang khushi ka jaata hai
ye meetha meetha dard mujhe din raat yoon hi tadapaayega
lekin chhup chhup ke ...
tum in baanhon ke ghere mein aankhen band karke so jaao
kal kya hoga ye bhool ke tum meethe sapanon mein kho jaao
main rakhawala is tan man ka jo hoga dekha jaayega
lekin chhup chhup ke ...
Ham Laakh Chhupaye Pyar Magar
This track from the 2013 Bollywood film Jaan Tere Naam features the popular duo of Javed Malik and Shreya Ghoshal. The recording blends traditional Indian classical elements with contemporary pop sensibilities, characteristic of the era's romantic soundtracks. The song explores themes of hidden love and emotional vulnerability, delivered with a melodic structure that emphasizes vocal harmony and lyrical storytelling. It stands as a notable song in the film's soundtrack, which also includes tracks like 'Kal College Band Ho Jaayega' and 'Rone Na Dijiyega'. The composition reflects the industry's shift toward integrating folk motifs into mainstream cinema music during the early 2010s.