In The Jailhouse Now

Various Artists · Other Songs - Various Artists

Various Artists - In the Jailhouse Now



I had a friend named Ramblin' Bob

He used to steal, gamble, and Rob

He thought he was the smartest guy around

Well I found out last Monday

That Bob got locked up Sunday

They've got him in the jailhouse way downtown

He's in the jailhouse now

He's in the jailhouse now

Well I told him once or twice

To stop playin' cards and a-shootin' dice

He's in the jailhouse now

(yodel)

Ah di o-dalee eehee dee-o ti

Ah di o-dalee ee oh dee-o ti

Yodelayee-hee

Yodelayee-hee

Yodelay-eeee

Bob like to play his Poker

Pinochle, Whist and Euchre

But shootin' dice

Was his favorite game

But he got throwed in jail

With nobody to go his bail

The judge done said that he refused the fine

He's in the jailhouse now

He's in the jailhouse now

Well I told him once or twice

To stop playin' cards and a-shootin' dice

He's in the jailhouse now

(yodel)

Ah di o-dalee eehee hee

Ah di o-dalee eehee hee

Yodelayee-hee

Yodelayee-hee

Yodelay-eeee

Well I went out last Tuesday

Met a girl named Susie

I said I was the swellest guy around

Well, we started to spendin' my money

And she started to callin' me honey

We took in every cabaret in town

We're in the jailhouse now

We're in the jailhouse now

I told that judge right to his face

I don't like to see this place

We're in the jailhouse now

(yodel)

Ah di o-dalee eehee o hee

Ah di o-dalee eehee deeo ti

Yodelayee-hee

Yodelayee-hee

Ah Yodelay-eeee

About In The Jailhouse Now

Various Artists deliver "In The Jailhouse Now," a classic folk-rock anthem that has become a staple of prison reform movements and political protest music. Originally recorded by The Mamas & The Papas in 1966, the song's narrative of a convict awaiting trial resonated deeply with audiences seeking to highlight systemic injustice. Its enduring popularity stems from its catchy melody and socially conscious lyrics, which have been covered by countless artists across generations, from punk rockers to modern indie bands. The track remains a powerful symbol of solidarity and the human condition, frequently performed at rallies and used in films to underscore themes of freedom and redemption. Its inclusion in the public domain ensures its accessibility, allowing new generations to engage with its message while celebrating its historical significance in the folk and rock canon.