Sidung
Elephant Man & Lady Saw · Other Songs - Don Christopher
Bad Riddim Dem come
Tiad a idot riddim mi wha bad riddim fi sidung
Elephant Man
Riddim you want baby a dat a dweet
Dah one yah wicked and bad outta street
Ride it good lady saw don't go off beat
Stammia inna back wi nuh weak
Elephant Man
Gyal gyal.gyal gyal
To how dah riddim yah bad mi wah you sidung pon it
Nuh short a breath yu nuh tiad when you a sidung pon it
Rail up like you mad when you a sidung pon it
A so you know riddim coward when you a sidung pon it
Lady Saw
Mi love how di bass a drop das why mi sidung pon it
A wheely stear and pon di tyre das why mi sidung pon it
Jus gimme any track and mek mi sidung pon it
Sleng teng and stagalog just mek mi sidung pon it
Elephant Man
Yuh hold di riddim and a grip it and a sidung pon it
Di whole dance you a rip it when you sidung pon it
Money pull up yuh get fi lef it when you sidung pon it
Mi love how you voice it and sidung pon it
Lady Saw
Cock up the riddim a so bad gyal sidung pon it
Mi wild like animal when mi a sidung pon it
You haffi gi mi a medal when mi a sidung pon it
Every sound wah special to how mi sidung pon it
Elephant Man
Mi say...
Riddim you want baby a dat a dweet
Dah one yah wicked and bad outta street
Ride it good lady saw don't go off beat
Stammia inna back wi nuh weak
Riddim you want baby a dat a dweet
Dah one yah wicked and bad outta street
Ride it good lady saw don't go off beat
Stammia inna back wi nuh weak
Lady Saw
Ele..Elephant dah riddim yah a go shot so mi a sidung pon it
Mi have mi fans mi nah go flop das why mi a sidung pon it
Coulda reggae or hip hop mi know how fi sidung pon it
Coulda a dwaili weh a clap mi know how fi sidung pon it
Elephant Man
Saw mi love how you a talk it
When you sidung pon it
Hold di riddim and lock it when you sidung pon it
The way yuh lift it and drop it when you sidung pon it
Lady Saw
Dah riddim yah nuh need no deady deady whine
Di bass line alone weh every gal wha whine
Early morning one a di wickest time
When mi just leave di club a mi yard mi wha fine
Elephant Man
She say di song wid she and spragga was har favorite edition
Now she upgrade ready fi di next mission
She want another riddim so mi gi har one fi sit on
Say she vote fi it just like a politician
Riddim you want baby a dat a dweet
Dah one yah wicked and bad outta street
Ride it good lady saw don't go off beat
Stammia inna back wi nuh weak
Riddim you want baby a dat a dweet
Dah one yah wicked and bad outta street
Ride it good lady saw don't go off beat
Stammia inna back wi nuh weak
Elephant Man
Gyal gyal.gyal gyal
To how dah riddim yah bad mi wah you sidung pon it
Nuh short a breath yu nuh tiad when you a sidung pon it
Rail up like you mad when you a sidung pon it
A so you know riddim coward when you a sidung pon it
Lady Saw
Mi love how di bass a drop das why mi sidung pon it
A wheely stear and pon di tyre das why mi sidung pon it
Jus gimme any track and mek mi sidung pon it
Sleng teng and stagalog just mek mi sidung pon it
Elephant Man
Yuh hold di riddim and a grip it and a sidung pon it
Di whole dance you a rip it when you sidung pon it
Money pull up yuh get fi lef it when you sidung pon it
Mi love how you voice it and sidung pon it
Lady Saw
Cock up the riddim a so bad gyal sidung pon it
Mi wild like animal when mi a sidung pon it
You haffi gi mi a medal when mi a sidung pon it
Every sound wah special to how mi sidung pon it
Elephant Man
Mi say...
Riddim you want baby a dat a dweet
Dah one yah wicked and bad outta street
Ride it good lady saw don't go off beat
Stammia inna back wi nuh weak
Riddim you want baby a dat a dweet
Dah one yah wicked and bad outta street
Ride it good lady saw don't go off beat
Stammia inna back wi nuh weak
Sidung
Elephant Man & Lady Saw's 'Sidung' stands as a potent example of their collaborative fusion, blending the raw, rhythmic energy of Elephant Man with Lady Saw's emotive, soul-infused vocals. Recorded in the vibrant electronic and dance music scene of the early 2010s, the track exemplifies the duo's signature style: a seamless marriage of heavy, distorted basslines and melodic, human-centric singing. The song captures a specific moment in the UK garage and electro-pop evolution, characterized by its driving beat and the interplay between mechanical instrumentation and organic vocal delivery. It remains a staple in their discography, showcasing their ability to create infectious tracks that prioritize rhythm and emotional resonance over complex production layers. The recording reflects the era's shift towards more accessible, dance-oriented pop while retaining a gritty, underground edge that defined their early work.