Nuh Care Who Vex

I-Octane · Other Songs - I-Octane

(Intro)
Wi no care who vex
Wi no care who vex
Gangster toe nail dem no fi cutex

Wi no care who vex
Wi no care who vex
No bwoy cyaa rub down the hair paw mi chest

(Chorus)
Dem ask mi if mi like everybody mi seh no
Ask mi if mi fight anybody mi seh no
But mi no like who no like mi
Mi spite who a fight mi
A so the gangster system go

Dem ask mi if mi like everybody mi seh no
Ask mi if mi fight anybody mi seh no
But mi no like who no like mi
Mi spite who a fight mi
Nuff bwoy bow bo sellout

(Verse 1)
Versi nuff a dem wa a seh dem have gun a road
Gyal inna dem house an a thug when dem come a road
Rough up street like the cab dem wa run a road
Si mi wid mi thing’s a no bed a rose
Frass rather worst wi no need friend from dem
Dem bwoy deh curse yow mi seet dem condemn
Wi a fly out every weekend pon dem
This a go cause bay problem

(Repeat Chorus)

(Verse 2)
Certain things gangster no condone inna
Dem a bronze wi a gold winner
Dem a pree true wi take the gyal wa dem put dem soul inna
Dem come a trace like Sonya
Wa take da foney yah
Check mi portfolio
Fi dem gyal a my phone ringer
Plus mi no beg people things a me provide mi own dinner
An dem know mi no stone flinger

(Repeat Intro)

(Repeat Chorus)

(Repeat Verse 1)

(Repeat Chorus 2X)

Nuh Care Who Vex

I-Octane's "Nuh Care Who Vex" stands as a quintessential example of the artist's signature sound, blending the rhythmic precision of English Drill with the melodic sensibilities of UK Garage. Released within the broader landscape of his discography, the track exemplifies the genre's characteristic flow, where intricate hi-hat patterns drive a moody, atmospheric backdrop. The recording captures the raw energy and streetwise attitude that define I-Octane's contributions to modern hip-hop, showcasing his ability to craft tracks that resonate with the contemporary urban audience. As a standalone work, it highlights the artist's versatility in navigating the intersection of aggressive beats and soulful undertones, solidifying his place in the current evolution of English drill music.