Something Sweet Dey
Mayaro The Band · Other Songs - Masia One
Ooh yeah, (3)
(M):I am not blind.
(F): Me never cross the line
(M): Make up your mind
Ooh yeah (3)…
(M): I am not blind.
(F): Baby I don’t wanna fly….
(M): Meh just get a call Katiana.
Who is that man in front yuh house?
(F): Meh child fadda
He come here to drop a little paper and something for our little daughter.
(M): Two hours and him cyar move his vehicle.
(F): He teaching de child some tables
(M): Some tables?
(F): Yes tables
(M): With dem nonsense gyal – me no able.
CHORUS:
If you don’t want to let go…
Something sweet dey, sweet dey, sweet,
Underneath dey(2)
Is about 9 months now she meet meh,
With hugs and kisses she greet meh.
But she previous man want a replay.
Ah tell she make up yuh mind or delete meh.
Many times he had you complaining,
But de image of de man keep remaining.
Ah trying to balance de ting but ah straining,
One losing, one gaining…
CHORUS:
(F): Why everyone look ‘pon me,
From de poor to de rich, dem hook ‘pon me.
From de strong to de weak dem jook ‘pon me.
But me no want them, me want you Snakey.
Me done with all de little girl games,
Me done…me a woman with pride and shame.
Time for me to settle and bare for your name.
Cause me nah want nobody slander me name.
Baby…I love you!
And I’m not going nowhere, nowhere, nowhere
Please believe me!
CHORUS:
Something Sweet Dey
Mayaro The Band delivers an infectious track titled Something Sweet Dey, showcasing their signature blend of reggae and dancehall rhythms. The recording captures the vibrant energy characteristic of their discography, featuring a driving bassline and melodic vocals that define the genre's upbeat aesthetic. Released within their broader catalogue of work, the song exemplifies the group's ability to craft catchy, crowd-pleasing anthems that resonate with audiences across the Caribbean and international dancehall scenes. Its production highlights the seamless integration of traditional instrumentation with modern pop sensibilities, cementing the band's reputation as a key force in contemporary English-language reggae music.

