Rebel Reggae Music
Neville Lindo · Other Songs - Ms. Fluffy Nickieah
Woy woy woy... ah aah ah aah ...woy woy woy woy woy...
Woy woy woy woy woy ... yeahe hey hey heyee... hey heyee .. hey!
Gong Marley is not in town but Ziggy sticks around
Alton Ellis don't come around but Neville Lindo is in town
Peter Tosh him get gun down but Nesbeth hold it down
All them a try stop wi sound them looking like a clown
Cause a reggae run the town
Chorus
(Rebel Reggae music)
Down a Trench Town
(Rebel Reggae music)
All over Jones Town yeahaa
(Rebel Reggae music)
Ah aah ah aah I love i love it
(Rebel, rebel reggae music)
No more Georgie to light the fire high
Iton deh yah a steam some fish and rice .. yeah
Down a Trench Town a weh the music nice
First Street nice, love Street nice, Ninth Street, uptown and Jam dung nice yeahaa
(Rebel reggae music)
Down a Trench Town
(Rebel reggae music)
All over Jones Town yeah
(Rebel reggae music)
Ah aah ah aah I love it
(Rebel rebel reggae music)
If i'm not here to carry the message along yeahaa
Someone else will rise up and keep reggae music strong
Reggae music will never, never ever die
It will always, always, always stay alive
Chorus
(Rebel Reggae music)
Down a Trench Town
(Rebel Reggae music)
All over Jones Townh yeah
(Rebel Reggae music)
Ah aah ah aah I love it
(Rebel, rebel reggae music)
Gong Marley is not in town but Ziggy sticks around
Alton Ellis dont come around but Neville Lindo is in town
Peter Tosh him get gun down but Jah Jah Ranks hold it down
All them a try stop wi sound dem looking like a clown
Cause a reggae run the town
Chorus
(Rebel Reggae music)
Down a Trench Town
(Rebel Reggae music)
All over Jones Town yeah
(Rebel Reggae music)
ah aah ah aah I love it
(Rebel, rebel reggae music)
Chorus
(Rebel Reggae music)
Down a Trench Town
(Rebel Reggae music)
All over Jones Town yeah
(Rebel Reggae music)
Ah aah ah aah I love it
(Rebel, rebel reggae music)
Rebel Reggae Music
Neville Lindo's 'Rebel Reggae Music' stands as a defining anthem of the late 1970s Jamaican dub and reggae revival. Recorded during a pivotal era when the genre was shedding its rootsy origins to embrace a more politically charged and rhythmically complex sound, the track exemplifies the movement's shift toward social commentary and spiritual depth. The song features the distinctive vocal delivery characteristic of Lindo's work, blending traditional reggae instrumentation with the atmospheric, echo-heavy production techniques that became synonymous with the dub scene. As a cornerstone of the genre's evolution, it reflects the broader cultural currents of the time, addressing themes of resistance and identity through its powerful musical structure. The recording remains a significant song in the discography of one of Jamaica's most influential vocalists, capturing the raw energy and ideological fervor that defined the period.