Black Sheep

John Anderson · Anthology [2002]

My daddy was a brake man

On a highball travelin' train

An' momma, she raised four little children

And a family had a good name



An' poppa and momma wanted

Everything for us they never had

And big brother, little brother and sister too

None of them turned out half bad accept me

Yeah, I'm the black sheep of the family



And big brother went to college

And became a doctor man

I guess he makes about a million dollars a year

Off the folks on insurance plans



He's got a big long Mercedes-Benz

And a house over-looking the town

He sits in his jacuzzi and he watches the sun go down

And he feels real sorry for me

'Cause I'm the black sheep of the family



I drive me a big ol' semi truck

I'm makin' payments on a two room shack

My wife she waits on tables

And at night she rubs my back



And I tell her what my poppa said to my momma

When he got off a highball train

'Wake me up early, be good to my dogs

And teach my children to pray'



The little sister married a banker

Yeah, he owns a country club

He bought her a big ol' racing horse

And a funky looking little dog



He buys her big rings and diamonds

And a brand new Japanese yacht

And they like to get together an' talk about all the things they've got

But they never mention me, no, no

Yeah, I'm the black sheep of the family



I drive me a big ol' semi truck

I'm makin' payments on a two room shack

My wife she waits on tables

And at night she rubs my back



And I tell her what my poppa said to my momma

When he got off a highball train

'Wake me up early, be good to my dogs

And teach my children to pray'



I beg you, woman

'Wake me up early, be good to my dogs

And teach my children to pray, Lord'

Black Sheep

John Anderson's "Black Sheep" stands as a defining track from his 2002 compilation, Anthology [2002], showcasing his mastery of the country-pop fusion that characterized his career. The song features Anderson's signature smooth vocal delivery and intricate guitar work, blending traditional country storytelling with polished pop sensibilities. Released during a period where Anderson was actively bridging the gap between his roots in the Nashville scene and broader mainstream appeal, the recording exemplifies his ability to craft memorable melodies that resonate across genres. While often associated with the novelty of the title, the track delves into themes of individuality and self-worth, delivered with a warmth that has made it a staple in his discography and a favorite among fans of his era. The song remains a testament to Anderson's versatility, capturing the essence of early 2000s country music while retaining the timeless quality of his earlier hits.