Ain't No Woman Like The One I Got
The Four Tops · Other Songs - The Four Tops
Ain't no woman like the one i've got
Ain't no woman like the one i've got
Every day the sun comes up around her
She can make the birds sing harmony
Every drop of rain is glad it found her
Heaven must have made her just for me
When she smiles so warm and tender
A sight for sore eyes to see
Oooh ain't no woman like the one i've got
Oh no they don't come better
To make her happy doesn't take a lot
She don't ask for things no diamond rings
So together like a hand in glove
Like pages in a letter
Ain't no woman like the one I love
She can fill me up when it's down i'm goin' i'm goin'
Put a little music in my day
Wouldn't be surprised if my love keeps growin' it keeps growin'
Bigger every minute that she stays away
I would kiss the ground she walks on
'Cause it's my word my word she'll obey now
Woo ooh Ain't no woman like the one i've got
Well I kiss the ground she walks on
To make her happy doesn't take a lot
She's a real good friend right to the end
So together like a hand in glove
A lonely man when she's gone
People ain't no woman like the one I love
Oooh What a good good thing i've got
She means to me a lot
Ain't no woman like the i've got
No no they don't come better
To make her happy doesn't take a lot
She don't ask for things no diamond rings
So together like a hand in glove
Like pages in a letter
Ain't no woman like the one I love people
Ain't no woman like the one i've got
Well I kiss the ground she walks on
To make her happy doesn't take a lot
I'm a lonely man when my baby's gone
Ain't No Woman Like The One I Got
The Four Tops' 1967 soul classic 'Ain't No Woman Like The One I Got' stands as a definitive example of Motown's golden era. Recorded with the band's signature tight harmonies and the group's characteristic vocal interplay, the track blends R&B sensibilities with a gospel-infused intensity that became a hallmark of their sound. Released during a period when the group was transitioning from their earlier Motown output to greater independence, the song showcases the vocal prowess of lead singer Otis Williams alongside the distinctive baritone of Robert White. The composition, written by the songwriting team of Holland-Dozier-Holland, captures a narrative of devotion and the unique strength of a partner, resonating deeply within the soul and R&B traditions of the late 1960s. Its enduring legacy lies in its ability to balance emotional vulnerability with the polished production that defined the era's most celebrated recordings.