Licence To Kill
Gladys Knight · Other Songs - Gladys Knight
Ah-aaah
I need, I need, I've got to hold on to your love
Ooooh
Hey baby, thought you were the one who tried to run away
Ohh, baby, wasn't I the one who made you want to stay?
Please don't bet that you'll ever escape me
Once I get my sights on you
Got a licence to kill (to kill)
And you know I'm going straight for your heart
(Got a licence to kill)
Got a licence to kill (to kill)
Anyone who tries to tear us apart
(Got a licence to kill)
Licence to kill
Hey baby, think you need a friend to stand here by your side?
Yes you do (your side)
Ohh, baby, now you can depend on me to make things right (things right)
Please don't bet that you'll ever escape me
Once I get my sights on you
2x:
Got a licence to kill (to kill)
And you know I'm going straight for your heart
(Got a licence to kill)
Got a licence to kill (to kill)
Anyone who tries to tear us apart
(Got a licence to kill)
Licence to kill
Say that somebody tries to make a move on you
In the blink of an eye, I will be there too
And they'd better know why I'm gonna make them pay
Till their dying day
Till their dying day
Till their dying day
2x:
Got a licence to kill (to kill)
And you know I'm going straight for your heart
(Got a licence to kill)
Got a licence to kill (to kill)
Anyone who tries to tear us apart
(Got a licence to kill)
Licence to kill
Gotta hold onto your loving
Licence to kill
Ooohooo!
Kill
Licence To Kill
Gladys Knight's "Licence To Kill" stands as a powerful testament to her mastery of soul and R&B during the late 1960s. Recorded with her signature vocal intensity, the track exemplifies the era's fusion of gospel roots and contemporary pop sensibilities. As a lead solo effort, it showcases Knight's ability to deliver emotive performances that resonated deeply with audiences, reinforcing her status as a premier vocalist of her generation. The song's enduring appeal lies in its raw emotional delivery and the timeless quality of its composition, which remains a staple in discussions of classic soul music. It reflects the broader cultural landscape of the time, where female artists were increasingly taking center stage in the music industry.