Little Green Apples

Johnny Mathis · Other Songs - Johnny Mathis

And I wake up in the mornin'

With my hair down in my eyes and she says "Hi"

And I stumble to the breakfast table

While the kids are goin' off to school goodbye

And she reaches out 'n' takes my hand

And squeezes it 'n' says "How ya feelin', hon?"

And I look across at smilin' lips

That warm my heart and see my mornin' sun



And if that's not lovin' me

Then all I've got to say

God didn't make little green apples

And it don't rain in Indianapolis in the summertime

And there's no such thing as Doctor Seuss

Or Disneyland, and Mother Goose, no nursery rhyme

God didn't make little green apples

And it don't rain in Indianapolis in the summertime

And when my self is feelin' low

I think about her face aglow and ease my mind



Sometimes I call her up at home knowin' she's busy

And ask her if she could get away and meet me

And maybe we could grab a bite to eat

And she drops what she's doin' and she hurries down to meet me

And I'm always late

But she sits waitin' patiently and smiles when she first sees me

'cause she's made that way



And if that ain't lovin' me

Then all I've got to say

God didn't make little green apples

And it don't snow in Minneapolis when the winter comes

And there's no such thing as make-believe

Puppy dogs, autumn leaves 'n' BB guns



God didn't make little green apples

And it don't rain in Indianapolis

About Little Green Apples

Johnny Mathis's "Little Green Apples" stands as a quintessential example of his smooth, romantic vocal style that defined the late 1950s and early 1960s. As a staple of his extensive discography, the track showcases his signature ability to blend pop sensibilities with a tender, ballad-like delivery that became his trademark. Released during a period when Mathis was establishing himself as a leading figure in the easy listening genre, the song reflects the era's focus on polished, emotive recordings designed for intimate listening. The composition, often associated with themes of youthful affection and nostalgia, complements Mathis's warm tone and serves as a representative piece of his catalog. It remains a beloved track for fans of classic pop and vocal jazz, illustrating his enduring appeal through consistent, high-quality musical performance across numerous albums and singles.