Dixie Toot
Rod Stewart · Smiler
The sun's shining on my back and it hurts (child)
The FM station plays another bad 45
And it's been so long since I had a good time
It's been so long since I had a good time
Never wrecked my head on a bandstand
in the trombone or clarinet line
When I come in heat on Bourbon Street for Mardi Gras
When those for a cryin' just stay behind in the bar
'Cause it's been so long since I had a good time
Yeah it's been so long since I had a good time
I'm gonna lose control of my powers
I might even lose my trousers
Smash some glass, act like trash if I want
Wear a skirt be a flirt if I want
'Cause it's been so long since I had a good time
This prodigal man from Dixieland needs a good time
right now, show me a good time right now
You better take it while you can
You gotta get it while you can
And when the Man Upstairs he calls me
He'll say "It's your turn son to come"
Don't play the blues down in old Toulouse for me
Let sleighbells ring and children sing in the street
And tell all of my friends that I had a good time
Open up the sky won't you ride me high
Let's have a good time
And if I'm late at heaven's gate blame a good time
And when the angels sing I will join in
Let's have a good time really
I took my luck, I didn't give a fuck, I had a good time
Tell all my friends only all my best to have a good time
Goodbye
Dixie Toot
Rod Stewart's "Dixie Toot" stands as a vibrant centerpiece on the 1972 album *Smiler*, capturing the raw energy and folk-rock sensibilities that defined his early career. The track showcases Stewart's signature vocal delivery, blending a country-inflected melody with a driving rhythm that reflects the musical landscape of early 1970s Britain. As part of his extensive discography, the song exemplifies his ability to fuse traditional roots music with a charismatic, rock-oriented approach. Released during a period where Stewart was solidifying his status as a leading figure in British rock, the recording serves as a testament to his enduring appeal and his commitment to authentic storytelling through music. The composition remains a notable song in his catalog, celebrated for its lively tempo and the spirited performance that characterizes much of his work from this era.