It's All Right With Me

Bing Crosby · Other Songs - Bing Crosby

It's the wrong time and the wrong place

Though your face is charming, it's the wrong face

It's not her face, but such a charming face

And it's alright with me



It's the wrong song with the wrong style

Though your smile is lovely, it's the wrong smile

It's not her smile, but such a lovely smile

That it's alright with me



You can't know how happy I am we met

I'm strangely attracted to you

There's someone I'm trying so hard to forget

Don't you wanna forget someone too



It's the wrong game with the wrong chips

Though your lips are tempting, they're the wrong lips

They're not her lips, but they're such tempting lips

That it's all right with me



It's the wrong time and the wrong place

Though your face is charming, it's the wrong face

It's not her face, but such a charming face

And it's alright with me



It's the wrong song with the wrong style

Though your smile is lovely, it's the wrong smile

It's not her smile, but a lovely smile

And it's alright with me



You can not know how happy I am we met

I'm strangely attracted to you

There's someone I'm trying so hard to forget

Don't you wanna forget someone too



It's the wrong game and the wrong chips

Though your lips are tempting, it's the wrong lips

They're not her lips, but they're such tempting lips

And it's all right with me



And it's all right, it's all right

It's all right with me

It's all right with me



It's the wrong time and the wrong place

Though your lips are charming, it's the wrong face

It's not her face but a charming face

And it's alright with me

It's All Right With Me

Bing Crosby's 1940 recording of 'It's All Right With Me' stands as a quintessential example of the crooner's mastery of intimate balladry. Released during the height of the swing era, the track showcases Crosby's signature vocal style, characterized by a warm, conversational tone and a gentle, rhythmic delivery that defined the genre of easy listening. As one of his most recognizable hits, the song exemplifies the era's preference for romantic, piano-driven compositions that prioritized emotional resonance over complex instrumentation. The recording solidified Crosby's status as a leading figure in popular music, demonstrating how his ability to convey vulnerability and warmth could elevate a simple melody into a timeless standard. Its enduring popularity reflects the song's universal appeal and its role in shaping the sonic landscape of mid-20th-century American pop.