Take Good Care Of My Baby/what's A Girl To Do

Paul Jabara · Other Songs - Paul Jabara

My tears are fallin' cause you've taken her away

And through it really hurts me so

There's something that I gotta say

Take good care of my baby

Please don't ever make her blue

Just tell her that you love her

Make sure you're thinking of her

In everything you say and do

Take good care of my baby

Now don't you ever make her cry

Just let your love surround her

Don't let her see a cloudy sky

Once upon a time that little girl was mine

If I'd been true I know she'd never be with you, so

Take good care of my baby

Be just as kind as you can be

And if you should discover

That you don't really love her

Just send my baby back home to me

Take good care of my baby

Please don't ever make her blue

Just tell her that you love her

Make sure you're thinking of her

In everything you say and do

Take good care of my baby

Now don't you ever make her cry

Just let your love surround her

Don't let her see a cloudy sky

Once upon a time that little girl was mine

If I'd been true I know she'd never be with you, so

Take good care of my baby

Be just as kind as you can be

And if you should discover

That you don't really love her

Just send my baby back home to me

Oh take good care of my baby, take good care of my baby

Just take good care of my baby

Take Good Care Of My Baby/what's A Girl To Do

Paul Jabara's 1989 single 'Take Good Care Of My Baby/what's A Girl To Do' stands as a defining example of his unique blend of soulful R&B and rock-infused pop. Released during the height of his career, the track showcases his signature ability to merge smooth vocal delivery with driving guitar riffs, creating a sound that bridged the gap between classic Motown and the emerging alternative rock scene. While often associated with his later greatest hits compilation, the recording itself represents a pivotal moment in his discography, capturing the raw energy and emotional depth that characterized his work in the late 1980s. The song remains a notable song in his catalog, reflecting the era's shift toward more guitar-centric arrangements while maintaining the melodic sensibilities that made him a respected figure in the UK music landscape.