Dancing In The Dark

Dick Haymes · Other Songs - Dick Haymes

I get up in the evening

And I ain't got nothing to say

I come home in the morning

I go to bed feeling the same way

I ain't nothing but tired

Man I'm just tired and bored with myself

Hey there baby, I could use just a little help



You can't start a fire

You can't start a fire without a spark

This gun's for hire

Even if we're just dancing in the dark



Message keeps getting clearer

Radio's on and I'm moving 'round the place

I check my look in the mirror

I wanna change my clothes, my hair, my face

Man I ain't getting nowhere

I'm just living in a dump like this

There's something happening somewhere

Baby I just know that there is



You can't start a fire

You can't start a fire without a spark

This gun's for hire

Even if we're just dancing in the dark



You sit around getting older

There's a joke here somewhere and it's on me

I'll shake this world off my shoulders

Come on baby this laugh's on me



Stay on the streets of this town

And they'll be carving you up alright

They say you gotta stay hungry

Hey baby I'm just about starving tonight

I'm dying for some action

I'm sick of sitting 'round here trying to write this book

I need a love reaction

Come on now baby gimme just one look



You can't start a fire sitting 'round crying over a broken heart

This gun's for hire

Even if we're just dancing in the dark

You can't start a fire worrying about your little world falling apart

This gun's for hire

Even if we're just dancing in the dark

Even if we're just dancing in the dark

Even if we're just dancing in the dark

Even if we're just dancing in the dark

Hey baby

Dancing In The Dark - Dick Haymes

Dick Haymes delivers a captivating performance of 'Dancing In The Dark,' a song that exemplifies his mastery of romantic ballads and operatic pop. Recorded during the golden age of vocal jazz and musical theater, the track showcases Haymes' distinctive baritone range and emotive delivery, characteristic of his work with the Hollywood Bowl and other prominent venues of the era. The composition, often associated with the film noir aesthetic and the broader genre of romantic standards, relies on its lush arrangement and Haymes' nuanced phrasing to evoke a sense of melancholic intimacy. As a staple of his discography, the recording highlights his ability to blend classical training with the sensibilities of American popular music, cementing his reputation as a leading interpreter of love songs from the mid-20th century.