The More You Do It (The More I Like It Done To Me)

Natalie Cole · Other Songs - Natalie Cole

Now this is for the old school



You keep kissing me and squeezing me, boy

All the time and I like it, baby

And the way you do it

Keeps driving me out of my mind, yes, it does



'Coz you keep on kissing me with your kiss

Touching me with your touch

All the right places and I like it

And the more you do it

The more I like it done to me, I like it, baby



Oh, there's no better feeling

Then when your body's next to mine

Moving and grooving

And when we're not together

I think about you all the time, yes, I do boy



'Coz you keep on kissing me with your kiss

Touching me with your touch

You reach out and feel me with your hands

I like it, I like it so much



And the more you do it

The more I like it done to me

Oh, I like it, baby

I said the more you do it

The more I like it done to me



I like it, baby

I like it, baby



I just want to tell the world

Of how I feel about you, baby



'Coz you keep on kissing me with your kiss

Touching me with your touch

Healing me with your hands

I like it, I like it so much



And the more you do it, the more I like it done

The more you do it, the more I like it done

And the more you do it, the more I like it done to me



And the more you do it, the more I like it done

The more you do it, the more I like it done

And the more you do it, the more I like it done to me



The more you do it, the more I like it done

The more you do it, the more I like it done

And the more you do it, the more I like it done to me

The more you do it, the more I like it done

The More You Do It (The More I Like It Done To Me)

Natalie Cole delivers a smooth, soulful rendition of this classic pop standard, showcasing her signature vocal warmth and impeccable phrasing. The track exemplifies her ability to blend R&B sensibilities with pop accessibility, a hallmark of her career that bridges the gap between her father's legacy and her own artistic identity. Recorded with a polished production style characteristic of late 1970s and early 1980s pop recordings, the song highlights her mature vocal control and emotional depth. It stands as a testament to her versatility as a singer, capturing the essence of romantic devotion without relying on specific lyrical references. This recording remains a staple of her discography, often featured on compilations and live albums, demonstrating her enduring appeal and mastery of the genre.