I Like It Like That
Jerry Lee Lewis · Other Songs - Jerry Lee Lewis
Come on (Come on, let me show you where it's at)
Come on (Come on, let me show you where it's at)
The name of the place is (I like it like that)
Come on (Come on, let me show you where it's at)
come on (Come on, let me show you where it's at)
I wanna show you (Come on, let me show you where it's at)
The name of the place is (I like it like that)
They got a little place across the track
The name of the place is I like it like that
Now You take Sally and I'll take Sue
And we're gonna rock away all of our blues
Come on (Come on, let me show you where it's at)
Come on (Come on, let me show you where it's at)
Come on (Come on, let me show you where it's at)
The name of the place is (I like it like that)
Come on (Come on, let me show you where it's at)
Come on (Come on, let me show you where it's at)
I wanna show you (Come on, let me show you where it's at)
The name of the place is (I like it like that)
Now The last time I was down, I lost my shoes
They had some cat shoutin' the blues
The people was yellin' out for more
And all they kept sayin' was "Go, man, go!"
Come on (Come on, let me show you where it's at)
Come on (Come on, let me show you where it's at)
Come on (Come on, let me show you where it's at)
The name of the place is (I like it like that)
Come on (Come on, let me show you where it's at)
Come on (Come on, let me show you where it's at)
Come on (Come on, let me show you where it's at)
The name of the place is (I like it like that)
Come on (Come on, let me show you where it's at)
Come on
About I Like It Like That
"I Like It Like That" stands as a defining track in the catalog of Jerry Lee Lewis, capturing the raw energy and rhythmic drive characteristic of his early rock and roll recordings. Released during a pivotal era when the genre was shedding its country roots for a harder, more electric sound, the song exemplifies Lewis's signature style: a frenetic piano delivery paired with a driving beat that demanded attention. As one of his most recognizable hits, it showcases his ability to blend traditional blues structures with the emerging pop sensibilities of the late 1950s. The recording serves as a testament to his status as a pioneer who helped propel rock and roll into the mainstream, influencing countless musicians who followed. Its enduring appeal lies in its unpretentious power and the unmistakable voice of the Memphis legend, cementing its place alongside other iconic tracks like "Hound Dog" and "Great Balls of Fire" in the annals of music history.