God Bless The Child

Art Farmer · Other Songs - Art Farmer

Them that's got shall have

Them that's not shall lose

So the Bible said and it still is news

Mama may have, Papa may have

But God bless the child that's got his own

That's got his own



Yes, the strong gets more

While the weak ones fade

Empty pockets don't ever make the grade

Mama may have, Papa may have

But God bless the child that's got his own

That's got his own



[Repeat: x2]

Money, you've got lots of friends

Crowding round the door

When you're gone, spending ends

They don't come no more

Rich relations give

Crust of bread and such

You can help yourself

But don't take too much

Mama may have, Papa may have

But God bless the child that's got his own

That's got his own



Mama may have, Papa may have

But God bless the child that's got his own

That's got his own

He just worry 'bout nothin'

Cause he's got his own

Yes he's got his own

About God Bless The Child

Art Farmer's 1967 recording of "God Bless The Child" stands as a pivotal moment in the evolution of the jazz standard, reimagining Billie Holiday's iconic composition with a driving, upbeat swing that defies the song's traditional melancholic associations. As a leading figure in the British jazz revival, Farmer brought a distinct energy to the track, transforming it into a lively showcase of his improvisational prowess and rhythmic sophistication. This version, released on the Blue Note label, exemplifies the genre's ability to reinterpret classic material while injecting fresh vitality and contemporary sensibilities. The recording remains a significant song in Farmer's discography, highlighting his versatility as a pianist and his deep engagement with American jazz heritage. By infusing the melody with a propulsive tempo and vibrant harmonic texture, Farmer created a track that resonates with audiences seeking both historical connection and modern musical excitement. The piece continues to be celebrated for its dynamic interplay and its role in bridging the gap between traditional jazz standards and the evolving sounds of the late 1960s.