Watching Scotty Grow

Ray Conniff · Other Songs - Ray Conniff

There he sits with a pen and a yellow pad,

he's a handsome lad, that's my boy.

P-r-l-f-q, spells mom and dad.

Well, that ain't too bad, 'cause that's my boy.

You can have your T.V. and your night clubs.

You can have your drive in picture shows.

I'll sit here and drink a beer and listen to the radio,

bidin' my time and watchin' Scotty grow.



Makin' castles out of building blocks,

and a cardboard box, that's my boy.

Mickey Mouse says it's thirteen o'clock.

Well, that's quite a shock, but that's my boy.

In four short years I've grown from rags to riches.

What I did before that, I don't know?

Let it rain on my windowpane, I got my own rainbow.

And we're sittin' here shinin', watchin' Scotty grow.



Up on daddy's shoulders and off to bed,

old sleepyhead, that's my boy.

Gotta have a drink of water and a story read,

and a teddy bear named Fred, that's my boy.

What's that you say, momma, come on and keep your feet warm.

Well, save a place, I'll be in in a minute or so.

I think I'll stay right here and say a little pray'r before I go.

Me and God are watchin' Scotty grow.

Watching Scotty Grow

Ray Conniff was a defining figure in American light music, renowned for his lush orchestral arrangements and the distinctive vocal harmonies of the Conniff Singers. His extensive discography spans decades, blending pop standards with sophisticated instrumental textures that brought a polished sheen to the easy listening genre. Watching Scotty Grow stands as a notable song within this rich catalogue, reflecting Conniff's ability to craft warm, accessible recordings that resonated with a broad audience. The track exemplifies his signature production style, where careful orchestration elevates the material into a seamless sonic experience. Throughout his career, Conniff maintained a consistent commitment to high-quality arrangements, ensuring his work remained a staple of mid-century musical culture. This recording continues to represent the enduring appeal of his approach to orchestral pop.