Stop The Hate
Lillian Axe · Other Songs - Lillian Axe
and everything seemed so perfect like a fairy tale?
Adam: Yeah, little brother, but that was then and this is now.
Read the story that I'm sure you've heard before,
Watch the signs come every day,
A turn of your back, it slips away.
See the vultures as they climb all over you,
In the blinking of an eye,
Taken for granted, kiss me good-bye
Make believe come true
I'll be protecting you
You're all I have
Chorus:
We're just wasting time
While we're running blind
Stop the Hate, Before it's too late,
We're just losing time,
Seeing colorblind
Stop the Hate, One more chance before we go,
I'm so sick and tired of your complaining,
Tie your hands behind your back,
With your eyes shut, we fade to black.
Their promises are lies
And smiles behind their lying eyes
Take your money for the cause
They crush you with their vicious jaws,
What happened to integrity, with me for you
And you for me
It's all a dream so kiss your life good-bye
If wishes did come true I'd be protecting you
You're all I have
Chorus
Chorus
Stop The Hate
Lillian Axe's 'Stop The Hate' stands as a defining track from the early 1990s English New Wave and synth-pop landscape. Released during a period of intense creative output, the song exemplifies the genre's characteristic blend of melancholic melodies and driving electronic rhythms. As part of her broader discography, the recording captures the raw emotional intensity that defined Axe's work in the late 1980s and early 1990s. The track reflects the era's fascination with themes of alienation and personal struggle, delivered through Axe's distinctive vocal delivery and the era's signature synthesizer textures. It remains a notable example of the genre's evolution, showcasing her ability to craft atmospheric soundscapes that resonated deeply with audiences of the time.