Coming Home Party

Tiny Tim · God Bless Tiny Tim [1968]

I used to be the first to laugh

When Mrs. Jennings took a bath

And left the window open for the neighbors

But had we looked, we would've seen

That she was really very clean

And given her the credit of her labors

And Mr. Jennings, where was he?

The man that we had asked to see

And who are we to think that it was funny?

When as she raised her glass and said she wasn't sure...

"He might be dead, or somewhere making love to all his money."



She held her breath expectantly

While everybody stared at me

As I approached to greet Miss Mary Blooming (hello)

I tweaked her nose and kissed the tip

I wiped the powder from my lip

And just because I did, it left her fuming



I almost gave myself away when Captain Graves came up to say...

Glad to see me home and he was tickled

And now I'm sure I had excused the way I used to be abused

It was worth it all to see him tickled

The atmosphere was getting thick, the guy beside me looking sick

I would've helped, at least I thought I ought to

He flashed me an appearing grin, I stopped and took the feeling in

I wasn't sure, but something told me not to



I knew I couldn't take much more, I started making for the door

And as I passed my date, I let her kiss me

I grabbed my coat and stepped outside

I stuck my thumb out for a ride

Departing knowing they would never miss me



(nighty night little angels, nighty night)

About Coming Home Party

Tiny Tim's "Coming Home Party" stands as a vibrant centerpiece on his 1968 album *God Bless Tiny Tim*, showcasing his signature blend of gospel-infused rock and roll and theatrical flair. Recorded during the height of his fame, the track exemplifies his ability to transform simple melodies into high-energy spectacles, often featuring his distinctive vocal style and the band's driving rhythm section. While the song shares thematic elements with his other hits from the era, such as "Livin' In The Sunlight," it captures a specific moment of celebration and communal joy that defined his live performances and studio recordings of the late 1960s. The recording reflects the broader cultural shift toward soul-influenced pop music, yet retains the unique, slightly eccentric charm that made Tim a household name. It remains a staple of his discography, illustrating his commitment to creating music that was both entertaining and spiritually uplifting, even as he navigated the changing musical landscape of the time.