Old King Cole

Harry Belafonte · Other Songs - Harry Belafonte

Old King Cole was a merry old soul

And a merry old soul was he

Called for his pipe

And he called for his bowl

And he called for his privates three



"Beer, beer, beer", said the privates

Merry men are we

There's none so fair as can compare

With the Fighting Infantry



Old King Cole was a merry old soul

And a merry old soul was he

Called for his pipe

And he called for his bowl

And he called for his corporals three



Hup two said the corporals

Beer, beer, beer said the privates

Merry men are we

There's none so fair as can compare

With the Fighting Infantry



Old King Cole was a merry old soul

And a merry old soul was he

Called for his pipe

And he called for his bowl

And he called for his sergeants three



Yeahhhhh, said the sergeants

Hup two said the corporals

Beer, beer, beer said the privates

Merry men are we

There's none so fair as can compare

With the Fighting Infantry



Old King Cole was a merry old soul

And a merry old soul was he

Called for his pipe

And he called for his bowl



And he called for his shavetails three



We do all the work said the shavetails

Yeahhhh, said the sergeants

March you dump watch said the corporals

Beer, beer, beer said the privates

Merry men are we

There's none so fair as can compare

With the Fighting Infantry



Old King Cole was a merry old soul

And a merry old soul was he

Called for his pipe

And he called for his bowl

And he called for his captains three



Oh don't be late for the dance said the captains

We do all the work, said the shavetails

Yeahhhhh said the sergeants

March to the guardhouse said the corporals

Beer, beer, beer said the privates

Merry men are we

There's none so fair as can compare

With the Fighting Infantry



Old King Cole was a merry old soul

And a merry old soul was he

Called for his pipe

And he called for his bowl

And he called for his chaplains three



Oh what a bloody mess, amen amen hallelujah

Oh don't be late for the dance, said the captains

We do all the work, said the shavetails

Yeahhhh said the sergeants

Put it in a bucket said the corporals

Beer, beer, beer said the privates

Merry men are we

There's none so fair as can compare

With the Fighting Infantry



Old King Cole was a merry old soul

And a merry old soul was he

Called for his pipe

And he called for his bowl

And he called for his colonels three



Oh what a lovely war, said the colonels

Oh what a bloody mess, amen, amen hallelujah

Oh don't be late for the dance said the captains

We do al the work said the shavetails

Yeahhhhh said the sergeants

March to the end said the corporals

Beer, beer, beer said the privates

Merry men are we

There's none so fair as can compare

With the Fighting Infantry



Old King Cole was a merry old soul

And a merry old soul was he

Called for his pipe

And he called for his bowl

And he called for his generals three



Thuh, thuh, Oh come on fellahs, give a fellah break,

Uh what's my next command said the generals

Oh what a lovely war said the colonels

Oh what a bloody mess, amen,

Oh what a bloody mess said the captains

Oh what a bloody mess, said the shavetails

Oh what a bloody mess, said the sergeants

Oh what a bloody mess said the sergeants

Beer, beer, beer said the privates

Merry men are we

There's none so fair as can compare

With the Fighting Infantry

Old King Cole

Harry Belafonte's rendition of the traditional nursery rhyme 'Old King Cole' showcases his unique ability to elevate simple folk material into sophisticated pop recordings. As a defining figure in calypso and folk music, Belafonte brought a rich, resonant vocal quality to this classic tune, transforming it from a children's staple into a polished performance piece. This recording reflects his broader discography, which often blended Caribbean rhythms with American popular standards. While the song itself is an ancient English ballad, Belafonte's interpretation aligns with his reputation for making traditional material accessible to mass audiences. His work on this track demonstrates the versatility that helped establish him as a crossover icon, bridging the gap between folk traditions and mainstream commercial success without relying on complex arrangements.