Just One More Chance
Rosemary Clooney · Other Songs - Rosemary Clooney
To prove it's you alone I care for
Each night I say a little prayer for
Just one more chance
Just one more night
To taste the kisses that enchant me
I'd want no others if you'd grant me
Just one more chance
I've learned the meaning of repentance
Now you're the jury at my trial
I know that I should serve my sentence
Still, I'm hoping all the while
You'll give me
Just one more word
I said that I was glad to start out
But now I'm back to cry my heart out
For just one more chance
We spend our lives in groping for happiness
I found it once and tossed it aside
I paid for it with hours of loneliness
I've nothing to hide
I'd bury my pride for...
(mmm-bo-ba-ba-boo)
--- whistling ---
Just one more chance
(mmm-bo-ba-ba-boo)
--- whistling ---
Just one more chance
I've learned the meaning of repentance
Now you're the jury at my trial
I know that I should serve my sentence
Still, I'm hoping all the while
You'll give me
Just one more word
I said that I was glad to start out
But now I'm back to cry my heart out
For just one more chance
Just One More Chance
Recorded by Rosemary Clooney, "Just One More Chance" stands as a quintessential example of her mastery over the traditional pop ballad. Clooney, celebrated for her clear, conversational vocal style and impeccable timing, delivers a performance that balances intimate vulnerability with a polished, professional sheen characteristic of her mid-20th-century recordings. The song reflects the era's emphasis on romantic optimism and the enduring appeal of the "sweetheart" song, a genre where the melody and arrangement served to highlight the singer's technical precision and emotional clarity. As a solo artist, Clooney's ability to navigate such standards without relying on orchestral overdubs or dramatic production was a defining feature of her career, allowing her voice to remain the central focus. This recording exemplifies her contribution to the American pop canon, showcasing a style that prioritized lyrical sincerity and melodic accessibility over experimentalism.

