Cooper
Roxette · Have A Nice Day
Cooper went out
late last night
I heard the slam from her door
Foggy ways,
November daze
All the white wolves were smiling
Cooper went out walkin' the clouds
She left everything in a mess
"Shut your mouth when you talk to me"
Her words were always so small
And there's a sound from the telephone
When can I say she's coming home?
Leave me the number you're dialing from
and may I ask who's calling?
May I ask who's calling?
Cooper went out, 3 o'clock sharp
I heard the bells from the church
Someone said they saw a car
picking her up by the station
Cooper went out and that's all there is
I'm just no one from next door
Everything will be alright
when all the flowers have cried
Then there's a voice on the telephone
When can I say she's coming home?
Leave me the number you're dialing from
and may I ask who's calling? (who's calling?)
May I ask who's calling? (who's calling?)
May I ask who's calling?
late last night
I heard the slam from her door
Foggy ways,
November daze
All the white wolves were smiling
Cooper went out walkin' the clouds
She left everything in a mess
"Shut your mouth when you talk to me"
Her words were always so small
And there's a sound from the telephone
When can I say she's coming home?
Leave me the number you're dialing from
and may I ask who's calling?
May I ask who's calling?
Cooper went out, 3 o'clock sharp
I heard the bells from the church
Someone said they saw a car
picking her up by the station
Cooper went out and that's all there is
I'm just no one from next door
Everything will be alright
when all the flowers have cried
Then there's a voice on the telephone
When can I say she's coming home?
Leave me the number you're dialing from
and may I ask who's calling? (who's calling?)
May I ask who's calling? (who's calling?)
May I ask who's calling?
Cooper - Roxette
Released on the 1988 album Have A Nice Day, "Cooper" stands as a defining track in the Swedish pop canon, showcasing the duo's signature blend of melodic pop and emotional depth. The song features the characteristic vocal interplay between Marie Fredriksson and Per Gessle, delivering a narrative that explores themes of longing and connection. As a staple of their discography, it exemplifies the polished production and romantic sensibilities that made Roxette a global phenomenon during the late 1980s. The recording remains a key part of their catalog, frequently appearing in compilations and live performances that celebrate their enduring influence on the genre.