Waiting For The Robert E. Lee
Bing Crosby · Other Songs - Bing Crosby
There's Daddy and Mammy
There's Ephraim and Sammy
On a moonlight night you can find them all
While they are waiting,
The banjos are syncopating
What's that they're saying?
What's that they're saying?
While they keep playing
A, humming and swaying
It's the good ship Robert E. Lee
That's come to carry the cotton away!
Watch them shuffling along,
See them shuffling along!
Go take your best gal, real pal
Go down to the levy, I said to the levy,
And join that shuffling throng
Hear that music and song!
It's simply great, mate, waiting on the levy
Waiting for the Robert E. Lee!
The whistles are blowing, the smokestacks are showing
The ropes they are throwing, excuse me I'm going
To the place where all is harmonious
Even the preacher, he is the dancing teacher!
Have you been down there?
Were you around there?
If you ever go there you'll always be found there,
Why, dog-gone, here comes my baby
On the good old Robert E. Lee!
Watch them shuffling along,
See them shuffling along
Go take your best gal, real pal
Go down to the levy, I said to the levy,
And join that shuffling throng
Hear that music and song!
It's simply great, mate, waiting on the levy
Waiting for the Robert E. Lee!
Waiting For The Robert E. Lee
Bing Crosby's 'Waiting For The Robert E. Lee' stands as a poignant example of his mastery in the romantic ballad genre, blending his signature warm vocal delivery with a narrative of longing. Recorded during the mid-20th century, the track exemplifies the acoustic and orchestral arrangements typical of Crosby's solo work, distinguishing it from his more upbeat standards like 'Papa Loves Mambo' or 'Razzle Dazzle.' The song's title references a historical figure, grounding the piece in a specific cultural context while maintaining the universal theme of anticipation found in Crosby's repertoire. As part of his extensive discography, this recording showcases his ability to convey deep emotion through subtle phrasing and a gentle, melodic approach, solidifying his status as a premier interpreter of American songwriting.